Read MoreSony has announced the Alpha 1 mirrorless camera. It features a 50.1 MP sensor with a BIONZ XR(TM) imaging processing engine, which offers a native ISO range of up to 32,000 and a shutter sync speed of up to 1/400s when using the mechanical shutter. Video is available at 8K 30p 10-bit 4:2:0 XAVC HS and RAW out to an external recorder. Lastly, the Alpha 1 is equipped with an OLED EVF with a fresh rate of 240fps.

The Alpha 1 will ship in March, priced at $6,500.

Press release:

Groundbreaking Sony Alpha 1 Camera Marks a New Era in Professional Imaging

The Alpha 1 Delivers an Unprecedented Combination of Resolution, Speed and Video Performance, Empowering Professionals with a New High-Resolution 50.1-megapixel Full-frame Image Sensor, High-speed Shooting at up to 30 Frames per Second, 8K 30p Video and More

New 50.1-megapixel (approx., effective) full-frame stacked Exmor RS(TM) CMOS image sensor in combination with an upgraded BIONZ XR(TM) imaging processing engine with eight times more processing power

Blackout- free continuous shooting at up to 30 frames per second[ii]
Fast sensor readout enables up to 120 AF/AE calculations per second[iii], double the speed of the Alpha 9 II, even during 30fps continuous shooting
Bright and large 0.64-type 9.44 million-dot (approx.) OLED Quad-XGA electronic viewfinder with the world’s first[iv]refresh rate of 240 fps
Silent, vibration-free electronic shutter
World’s first[v] anti-flicker shooting with both mechanical and electronic shutter
Electronic shutter flash sync[vi] up to 1/200 sec. for the first time in the Alpha(TM) series
World’s fastestv mechanical shutter flash sync up to 1/400 sec.
8K 30p[vii] 10-bit 4:2:0 XAVC HS video recording with 8.6K oversampling for extraordinary detail and resolution, in addition to 4K 120p[viii] 10-bit 4:2:2 movie shooting capabilities
Wide dynamic range of 15 stops for stills[ix] and 15+ stops for video[x]
Improved Real-time Eye AF (autofocus) for humans and animals, and new Real-time Eye AF for birds[xi], as well as Real-time Tracking that automatically maintains accurate focus
5-axis optical in-body image stabilization for a 5.5-step[xii] shutter speed advantage
S-Cinetone color matrix as seen in FX9 and FX6 to deliver expressive cinematic look
Professional workflow support with the industry’s fastest[xiii] built-in Wi-Fi, SuperSpeed USB 10Gbps, 1000BASE-T Ethernet and more

SAN DIEGO, CA – January 26, 2021 – Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.

The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS(TM) image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they’ve never been able to before.

“We are always listening to our customers, challenging the industry to bring new innovation to the market that goes far beyond their expectations.” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “Alpha 1 breaks through all existing boundaries, setting a new bar for what creators can accomplish with a single camera. What excites us the most – more than the extensive product feature – is Alpha 1’s ability to capture that which has never been captured before. This camera unlocks a new world of creative possibilities, making the previously impossible now possible.”

The newly developed image sensor is built with integral memory and paired with an upgraded BIONZ XR imaging processing engine, making it capable of shooting 50.1-megapixel images continuously at an astounding 30fps with up to 120 AF/AE calculations per second. The Alpha 1’s shooting capabilities are further enhanced by a 9.44 million dot OLED Quad-XGA electronic viewfinder, with a refresh rate of up to 240 fps[xiv], ensuring no black out. Additionally, for the first time in an Alpha series camera, 8K 30p 10-bit 4:2:0 video is available. The Alpha 1 is also capable of 4K 120p / 60p 10-bit 4:2:2 recording and includes S-Cinetone color. The Alpha 1 is also packed with features that support field professionals with faster workflow, including 3.5 times faster wireless FTP transfer speed[xv] and more.

Unprecedented Resolution and Speed

Continuous Shooting at Up to 30 Frames Per Second

The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to 155 full-frame compressed RAW images[xvi] or 165 full-frame JPEG images[xvii] at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance[xviii].

At an astonishing calculation speed of up to 120 AF/AE per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 secondsii.

Advanced Electronic Viewfinder with the World’s Firstiv Refresh Rate of 240 fps

Complimenting the camera’s ability to capture images at an unprecedented speed, the Alpha 1 viewfinder features the world’s firstiv 240 fps refresh ratexiv, for a super-smooth display. The viewfinder does not black out when an exposure is made to offer an uninterrupted view and allow for seamless framing and tracking, even during continuous shooting. The 9.44 million-dot (approx.), 0.64 type Quad-XGA high-definition OLED display and refined optics deliver the highest resolution in its classiv. It also offers 0.90x[xix] viewfinder magnification, a 41? diagonal FOV, and a 25mm-high eyepoint for clear, low distortion viewing from corner to corner.

Advanced Autofocus

Sony continues to push the boundaries of autofocus technology with the introduction of the Alpha 1, which can easily track complex, fast-moving subjects with high precision. The camera features 759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area – ensuring accuracy and unfailing focus in environments where focusing might otherwise be difficult.

Sony’s advanced Real-time Eye AF improves detection performance by 30% over the previous systemi, thanks to the powerful image processing engine, BIONZ XR. It ensures accurate, reliable detection, even when the subject’s face looks away. In addition to improved Real-time Eye AF for humans and animals, the Alpha 1 employs high-level subject recognition technology to provide Real-time Eye AF for birdsxi, a first in an Alpha series camera. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes[xx].

The Alpha 1 also features AI-based Real-time Tracking that automatically maintains accurate focus. A subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed.

Silent, Vibration-free Electronic Shutter

High-speed readout from the new image sensor has made it possible to reduce rolling shutter by up to 1.5 times when shooting stills, compared to the Alpha 9 II. It also offers silent anti-flicker continuous shooting with an electronic shutter for the first timevin the world. The electronic shutter[xxi] operates silently, without mechanical noise, and is vibration-free. Stress-free continuous shooting is now possible even when shooting in challenging lighting situations with florescent or other flicker-prone types of artificial lighting. And for the first time in an Alpha camera, electronic shutter flash sync up to 1/200 sec[xxii] is possible. The advantages of the electronic shutter advantages can now come to life even when using flash for broadly expanded shooting versatility.

Dual Driven Shutter System for 1/400 Flash Sync

The Alpha 1 boasts the world’s fastest flash sync speedv of 1/400 sec. with mechanical shutter, making it even easier to capture dynamic action. In addition to a carbon fiber shutter curtain, the Alpha 1 features the newly developed dual driven shutter system utilizing spring and electromagnetic drive actuator, offering high durability and lightness at the same time.

High Resolution Shooting Enhancements

Even with this sensor’s high pixel count, the Alpha 1 offers high sensitivity with low noise, plus 15+ stops of dynamic range for video and 15 stops for stills, for smooth, natural gradations from shadows to highlights thanks to its cutting-edge processing system, throughout a wide ISO sensitivity range of 100-32,000 (expandable to 50-102,400, when shooting stills).

Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 796.2 million pixels of data, which are then composited into a 199 million pixel (17,280 x 11,520 pixels) image using Sony’s Imaging Edge(TM) desktop application. With a flash sync of up to 1/200 sec. in this mode, it is ideal for photographing architecture, art or any other still life subject with a level of detail and color accuracy that is simply stunning.

Professional Video Quality

8K High-resolution Movie Shooting

For the first time in an Alpha camera, the Alpha 1 offers 8K 30p 10-bit 4:2:0 XAVC HS recording with 8.6K oversampling for extraordinary resolution. Combined with Sony’s acclaimed autofocus technology, gradation and color reproduction performance, the Alpha 1 will help the user realize their creative vision with the finest detail. It’s 8K footage can also be used for flexible 4K editing during post-production.

Supporting Various Video Formats for Professionals

The Alpha 1 offers in-camera 4K recording at up to 120 frames per secondviii which allows the user to shoot up to 5X slow-motion video[xxiii]. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.

The Alpha 1 features S-Cinetone, the same color matrix that produces the highly regarded FX9 and FX6 color and skin tones. It delivers natural mid-tones, plus soft colors and gorgeous highlights to meet a growing need for more expressive depth. The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 1 footage with video shot on VENICE cinema camera, FX9 and other professional cinema cameras.

Heat-dissipating Structure

A unique heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p video continuously for approximately 30 minutes[xxiv].

Supporting Hand-held Shooting

A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The Alpha 1 also features an Active Mode[xxv] that offers outstanding stabilization for handheld movie shooting. When using Sony’s desktop applications Catalyst Browse or Catalyst Prepare[xxvi] for post-production, an accurate image stabilization function is available which utilizes metadata generated by camera’s built-in gyro.

Other features that the Alpha 1 offers include; 16-bit RAW output[xxvii] to an external recorder[xxviii] via HDMI for maximum post-production flexibility, a digital audio interface has been added to the camera’s Multi Interface (MI) Shoe for clearer audio recordings from a compatible Sony external microphone, 5.8K oversampled full pixel readout without pixel binning for high-resolution 4K movies in Super 35mm mode and more.

Enhanced Workflow with Network Technologies including Connectivity to 5G Compatible Devices

The Alpha 1 has been designed and configured to support photo and video journalists and sports shooters who need to deliver stills or movies as quickly as possible with advanced connectivity options. It offers several features for fast, reliable file transfers. Industry’s fastestxiii built-in wireless LAN allows communication on 2.4 GHz and 5 GHz[xxix] bands with dual antennas to ensure reliable communications. 5 GHz includes 2×2 MIMO support (IEEE 802.11a/b/g/n/ac) offering 3.5 times faster wireless FTP transfer speed than the Alpha 9 II – a notable advantage for news and sports shooters who need to deliver with reliable speed. There is also a provided USB Type-C(R) connector to support fast data transfer when connected to a 5G mmWave compatible device such as Sony’s Xperia PRO and makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The Alpha 1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.

In addition to compressed and uncompressed RAW, the Alpha 1 includes efficient lossless compression with no quality degradation, Lossless Compressed RAW. There is also a new “Light” JPEG/HEIF image quality setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed. Along with a versatile range of RAW and JPEG formats, the Alpha 1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. Images shot on the Alpha 1 can be trimmed in-camera to a desired aspect ratio, size, or position for versatile usage.

The Alpha 1 is also compatible with a variety of apps, add-ons and tools. With Imaging Edge Mobile and Imaging Edge Desktop[xxx], professionals can easily transfer RAW files and files that use lossless compression and remotely control Touch Tracking and Touch Focus for convenient AF operation. The Transfer & Tagging add-on (Ver. 1.3 or later) can automatically covert voice memos attached to image files to text captions or transfer the files to an FTP server from a mobile device. Desktop applications Catalyst Browse/Catalyst Preparexxvi allow professionals to browse and manage video clips shot by Sony’s camera. In addition, the Remote Camera Tool[xxxi] can remotely change camera settings and shoot from a computer connected via LAN cable and feature a number of refinements for the Alpha 1: faster transfer, touch response, dual slot and HEIF support, and more.

Reliable and Easy Operability

Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The Alpha 1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. It also features a durable magnesium alloy chassis, long battery life with the Z-battery which can be extended using the optional VG-C4EM Vertical Grip (sold separately), an improved dust removal feature, shutter close function on power-off to protect image sensor, plus dust and moisture resistance[xxxii] that maximizes reliability in challenging environments. It includes a durable, reliable HDMI Type-A connector, and USB PD (Power Delivery) support, allowing higher power to be supplied from an external source so that users can record for extended periods with minimal internal battery usage.

A revised menu structure provides easier navigation, and touch-responsive menu operation offers fast, more intuitive control with Touch Focus and Touch Tracking on its 3.0 type 1.44 million-dot (approx.) LCD monitor. For easy customization, a subset of the camera’s shooting settings now changes according to the selected shooting mode, making it easier than ever to use different aperture, shutter speed and other settings for shooting stills and movies.

Pricing and Availability

The Alpha 1 Full-frame Interchangeable-Lens Camera will be available in March 2021 for approximately $6,500 USD and $8,500 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Exclusive stories and exciting new content shot with the new camera and Sony’s other imaging products can be found at www.alphauniverse.com, a site created to educate and inspire all fans and customers of Sony ? – Alpha brand cameras.

For detailed coverage on the new product on Alpha Universe, please visit this LINK.

The new content will also be posted directly at the Sony Photo Gallery.

For detailed product information, please visit:

(US) – ILCE-1
(CA) – ILCE-1

#

About Sony Electronics Inc.

Sony Electronics is a subsidiary of Sony Corporation of America and an affiliate of Sony Corporation (Japan), one of the most comprehensive entertainment companies in the world, with a portfolio that encompasses electronics, music, motion pictures, mobile, gaming, robotics and financial services. Headquartered in San Diego, California, Sony Electronics is a leader in electronics for the consumer and professional markets. Operations include research and development, engineering, sales, marketing, distribution and customer service. Sony Electronics creates products that innovate and inspire generations, such as the award-winning Alpha Interchangeable Lens Cameras and revolutionary high-resolution audio products. Sony is also a leading manufacturer of end-to-end solutions from 4K professional broadcast and A/V equipment to industry leading 4K and 8K Ultra HD TVs. Visit http://www.sony.com/news for more information.

Notes: Compared to the BIONZ X imaging processing engine.
[ii] “Hi+” continuous shooting mode. In focus modes other than AF-C, effective at 1/125 sec. or higher shutter speed. In AF-C mode, effective at 1/250 sec. or higher shutter speed, and the maximum continuous frame rate will depend on the shooting mode and lens used. 20 fps max. when shooting Uncompressed or Lossless compressed RAW.
[iii] At shutter speeds of 1/125 sec. or higher. The number of AF calculations will depend on the lens used.
[iv] As of January 2021, Sony survey. Among full-frame mirrorless cameras.
[v] As of January 2021, Sony survey. Among full-frame interchangeable-lens digital still cameras.
[vi] Up to 1/200 sec. Synchronization via the sync terminal is not available for electronic shutter.
[vii] [APS-C S35 Shooting] is fixed [Off] when shooting 4K 120p and 8K movies.
[viii] 10% image crop.
[ix] Sony internal tests.
[x] When recording with S-Log3. Sony internal tests.
[xi] Still images only.
[xii] CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off.
[xiii] As of January 2021, Sony survey. Among interchangeable-lens digital still cameras.
[xiv] Field of view is fixed at 33? and resolution is UXGA when selecting frame rate at 240 fps.
[xv] 3.5 times faster when compared against the Alpha 9 II.
[xvi] “Hi+” continuous shooting mode, compressed RAW, CFexpress Type A memory card. Sony tests.
[xvii] “Hi+” continuous shooting mode, CFexpress Type A memory card. Sony tests.
[xviii] At 20 frames per second, users can shoot up to 238 full-frame compressed RAW images or 400 full-frame JPEG images.
[xix] 50mm lens, infinity, -1m-1 diopter.
[xx] Accurate focus may not be achieved with certain subjects in certain situations.
[xxi] Shutter speed slower than 0.5 sec. cannot be set while continuous shooting. Tracking performance and max. aperture differs by settings and lenses.
[xxii] Up to 1/200 sec. Synchronisation via the sync terminal is not available for electronic shutter.
[xxiii] Post-production editing and S&Q mode recording required. Data must be recorded to a CFexpress Type A memory card when the frame rate is 120 (100) fps or higher.
[xxiv] Sony internal tests with [Auto Power OFF Temp.] set to [High].
[xxv] Active Mode is not available for 8K recording.
[xxvi] Catalyst Browse(TM) version 2020.1 or later, Catalyst Prepare version 2020.1 or later are required.
[xxvii] 8K is not applicable.
[xxviii] Compatible recorders to be announced.
[xxix] 5 GHz communication may be restricted in some countries and regions.
[xxx] The Imaging Edge (Remote/Viewer/Edit) desktop application Ver. 3.1 or later is required for compositing.
[xxxi] Remote Camera Tool version 2.3 or later is required.
[xxxii] Not guaranteed to be 100% dust and water resistant.

Tagged: alpha 1, news, sony

by

Adam Hanlon

Sony has announced the Alpha 1 mirrorless camera. It features a 50.1 MP sensor with a BIONZ XR(TM) imaging processing engine, which offers a native ISO range of up to 32,000 and a shutter sync speed of up to 1/400s when using the mechanical shutter. Video is available at 8K 30p 10-bit 4:2:0 XAVC HS and RAW out to an external recorder. Lastly, the Alpha 1 is equipped with an OLED EVF with a fresh rate of 240fps.

The Alpha 1 will ship in March, priced at $6,500.

Press release:

Groundbreaking Sony Alpha 1 Camera Marks a New Era in Professional Imaging

The Alpha 1 Delivers an Unprecedented Combination of Resolution, Speed and Video Performance, Empowering Professionals with a New High-Resolution 50.1-megapixel Full-frame Image Sensor, High-speed Shooting at up to 30 Frames per Second, 8K 30p Video and More

• New 50.1-megapixel (approx., effective) full-frame stacked Exmor RS(TM) CMOS image sensor in combination with an upgraded BIONZ XR(TM) imaging processing engine with eight times more processing power
• Blackout- free continuous shooting at up to 30 frames per second[ii]
• Fast sensor readout enables up to 120 AF/AE calculations per second[iii], double the speed of the Alpha 9 II, even during 30fps continuous shooting
• Bright and large 0.64-type 9.44 million-dot (approx.) OLED Quad-XGA electronic viewfinder with the world’s first[iv]refresh rate of 240 fps
• Silent, vibration-free electronic shutter
• World’s first[v] anti-flicker shooting with both mechanical and electronic shutter
• Electronic shutter flash sync[vi] up to 1/200 sec. for the first time in the Alpha(TM) series
• World’s fastestv mechanical shutter flash sync up to 1/400 sec.
• 8K 30p[vii] 10-bit 4:2:0 XAVC HS video recording with 8.6K oversampling for extraordinary detail and resolution, in addition to 4K 120p[viii] 10-bit 4:2:2 movie shooting capabilities
• Wide dynamic range of 15 stops for stills[ix] and 15+ stops for video[x]
• Improved Real-time Eye AF (autofocus) for humans and animals, and new Real-time Eye AF for birds[xi], as well as Real-time Tracking that automatically maintains accurate focus
• 5-axis optical in-body image stabilization for a 5.5-step[xii] shutter speed advantage
• S-Cinetone color matrix as seen in FX9 and FX6 to deliver expressive cinematic look
• Professional workflow support with the industry’s fastest[xiii] built-in Wi-Fi, SuperSpeed USB 10Gbps, 1000BASE-T Ethernet and more

SAN DIEGO, CA – January 26, 2021 – Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.

The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS(TM) image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they’ve never been able to before.

“We are always listening to our customers, challenging the industry to bring new innovation to the market that goes far beyond their expectations.” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “Alpha 1 breaks through all existing boundaries, setting a new bar for what creators can accomplish with a single camera. What excites us the most – more than the extensive product feature – is Alpha 1’s ability to capture that which has never been captured before. This camera unlocks a new world of creative possibilities, making the previously impossible now possible.”

The newly developed image sensor is built with integral memory and paired with an upgraded BIONZ XR imaging processing engine, making it capable of shooting 50.1-megapixel images continuously at an astounding 30fps with up to 120 AF/AE calculations per second. The Alpha 1’s shooting capabilities are further enhanced by a 9.44 million dot OLED Quad-XGA electronic viewfinder, with a refresh rate of up to 240 fps[xiv], ensuring no black out. Additionally, for the first time in an Alpha series camera, 8K 30p 10-bit 4:2:0 video is available. The Alpha 1 is also capable of 4K 120p / 60p 10-bit 4:2:2 recording and includes S-Cinetone color. The Alpha 1 is also packed with features that support field professionals with faster workflow, including 3.5 times faster wireless FTP transfer speed[xv] and more.

Unprecedented Resolution and Speed

Continuous Shooting at Up to 30 Frames Per Second

The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to 155 full-frame compressed RAW images[xvi] or 165 full-frame JPEG images[xvii] at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance[xviii].

At an astonishing calculation speed of up to 120 AF/AE per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 secondsii.

Advanced Electronic Viewfinder with the World’s Firstiv Refresh Rate of 240 fps

Complimenting the camera’s ability to capture images at an unprecedented speed, the Alpha 1 viewfinder features the world’s firstiv 240 fps refresh ratexiv, for a super-smooth display. The viewfinder does not black out when an exposure is made to offer an uninterrupted view and allow for seamless framing and tracking, even during continuous shooting. The 9.44 million-dot (approx.), 0.64 type Quad-XGA high-definition OLED display and refined optics deliver the highest resolution in its classiv. It also offers 0.90x[xix] viewfinder magnification, a 41? diagonal FOV, and a 25mm-high eyepoint for clear, low distortion viewing from corner to corner.

Advanced Autofocus

Sony continues to push the boundaries of autofocus technology with the introduction of the Alpha 1, which can easily track complex, fast-moving subjects with high precision. The camera features 759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area – ensuring accuracy and unfailing focus in environments where focusing might otherwise be difficult.

Sony’s advanced Real-time Eye AF improves detection performance by 30% over the previous systemi, thanks to the powerful image processing engine, BIONZ XR. It ensures accurate, reliable detection, even when the subject’s face looks away. In addition to improved Real-time Eye AF for humans and animals, the Alpha 1 employs high-level subject recognition technology to provide Real-time Eye AF for birdsxi, a first in an Alpha series camera. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes[xx].

The Alpha 1 also features AI-based Real-time Tracking that automatically maintains accurate focus. A subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed.

Silent, Vibration-free Electronic Shutter

High-speed readout from the new image sensor has made it possible to reduce rolling shutter by up to 1.5 times when shooting stills, compared to the Alpha 9 II. It also offers silent anti-flicker continuous shooting with an electronic shutter for the first timevin the world. The electronic shutter[xxi] operates silently, without mechanical noise, and is vibration-free. Stress-free continuous shooting is now possible even when shooting in challenging lighting situations with florescent or other flicker-prone types of artificial lighting. And for the first time in an Alpha camera, electronic shutter flash sync up to 1/200 sec[xxii] is possible. The advantages of the electronic shutter advantages can now come to life even when using flash for broadly expanded shooting versatility.

Dual Driven Shutter System for 1/400 Flash Sync

The Alpha 1 boasts the world’s fastest flash sync speedv of 1/400 sec. with mechanical shutter, making it even easier to capture dynamic action. In addition to a carbon fiber shutter curtain, the Alpha 1 features the newly developed dual driven shutter system utilizing spring and electromagnetic drive actuator, offering high durability and lightness at the same time.

High Resolution Shooting Enhancements

Even with this sensor’s high pixel count, the Alpha 1 offers high sensitivity with low noise, plus 15+ stops of dynamic range for video and 15 stops for stills, for smooth, natural gradations from shadows to highlights thanks to its cutting-edge processing system, throughout a wide ISO sensitivity range of 100-32,000 (expandable to 50-102,400, when shooting stills).

Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 796.2 million pixels of data, which are then composited into a 199 million pixel (17,280 x 11,520 pixels) image using Sony’s Imaging Edge(TM) desktop application. With a flash sync of up to 1/200 sec. in this mode, it is ideal for photographing architecture, art or any other still life subject with a level of detail and color accuracy that is simply stunning.

Professional Video Quality

8K High-resolution Movie Shooting

For the first time in an Alpha camera, the Alpha 1 offers 8K 30p 10-bit 4:2:0 XAVC HS recording with 8.6K oversampling for extraordinary resolution. Combined with Sony’s acclaimed autofocus technology, gradation and color reproduction performance, the Alpha 1 will help the user realize their creative vision with the finest detail. It’s 8K footage can also be used for flexible 4K editing during post-production.

Supporting Various Video Formats for Professionals

The Alpha 1 offers in-camera 4K recording at up to 120 frames per secondviii which allows the user to shoot up to 5X slow-motion video[xxiii]. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.

The Alpha 1 features S-Cinetone, the same color matrix that produces the highly regarded FX9 and FX6 color and skin tones. It delivers natural mid-tones, plus soft colors and gorgeous highlights to meet a growing need for more expressive depth. The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 1 footage with video shot on VENICE cinema camera, FX9 and other professional cinema cameras.

Heat-dissipating Structure

A unique heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p video continuously for approximately 30 minutes[xxiv].

Supporting Hand-held Shooting

A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The Alpha 1 also features an Active Mode[xxv] that offers outstanding stabilization for handheld movie shooting. When using Sony’s desktop applications Catalyst Browse or Catalyst Prepare[xxvi] for post-production, an accurate image stabilization function is available which utilizes metadata generated by camera’s built-in gyro.

Other features that the Alpha 1 offers include; 16-bit RAW output[xxvii] to an external recorder[xxviii] via HDMI for maximum post-production flexibility, a digital audio interface has been added to the camera’s Multi Interface (MI) Shoe for clearer audio recordings from a compatible Sony external microphone, 5.8K oversampled full pixel readout without pixel binning for high-resolution 4K movies in Super 35mm mode and more.

Enhanced Workflow with Network Technologies including Connectivity to 5G Compatible Devices

The Alpha 1 has been designed and configured to support photo and video journalists and sports shooters who need to deliver stills or movies as quickly as possible with advanced connectivity options. It offers several features for fast, reliable file transfers. Industry’s fastestxiii built-in wireless LAN allows communication on 2.4 GHz and 5 GHz[xxix] bands with dual antennas to ensure reliable communications. 5 GHz includes 2×2 MIMO support (IEEE 802.11a/b/g/n/ac) offering 3.5 times faster wireless FTP transfer speed than the Alpha 9 II – a notable advantage for news and sports shooters who need to deliver with reliable speed. There is also a provided USB Type-C(R) connector to support fast data transfer when connected to a 5G mmWave compatible device such as Sony’s Xperia PRO and makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The Alpha 1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.

In addition to compressed and uncompressed RAW, the Alpha 1 includes efficient lossless compression with no quality degradation, Lossless Compressed RAW. There is also a new “Light” JPEG/HEIF image quality setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed. Along with a versatile range of RAW and JPEG formats, the Alpha 1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. Images shot on the Alpha 1 can be trimmed in-camera to a desired aspect ratio, size, or position for versatile usage.

The Alpha 1 is also compatible with a variety of apps, add-ons and tools. With Imaging Edge Mobile and Imaging Edge Desktop[xxx], professionals can easily transfer RAW files and files that use lossless compression and remotely control Touch Tracking and Touch Focus for convenient AF operation. The Transfer & Tagging add-on (Ver. 1.3 or later) can automatically covert voice memos attached to image files to text captions or transfer the files to an FTP server from a mobile device. Desktop applications Catalyst Browse/Catalyst Preparexxvi allow professionals to browse and manage video clips shot by Sony’s camera. In addition, the Remote Camera Tool[xxxi] can remotely change camera settings and shoot from a computer connected via LAN cable and feature a number of refinements for the Alpha 1: faster transfer, touch response, dual slot and HEIF support, and more.

Reliable and Easy Operability

Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The Alpha 1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. It also features a durable magnesium alloy chassis, long battery life with the Z-battery which can be extended using the optional VG-C4EM Vertical Grip (sold separately), an improved dust removal feature, shutter close function on power-off to protect image sensor, plus dust and moisture resistance[xxxii] that maximizes reliability in challenging environments. It includes a durable, reliable HDMI Type-A connector, and USB PD (Power Delivery) support, allowing higher power to be supplied from an external source so that users can record for extended periods with minimal internal battery usage.

A revised menu structure provides easier navigation, and touch-responsive menu operation offers fast, more intuitive control with Touch Focus and Touch Tracking on its 3.0 type 1.44 million-dot (approx.) LCD monitor. For easy customization, a subset of the camera’s shooting settings now changes according to the selected shooting mode, making it easier than ever to use different aperture, shutter speed and other settings for shooting stills and movies.

Pricing and Availability

The Alpha 1 Full-frame Interchangeable-Lens Camera will be available in March 2021 for approximately $6,500 USD and $8,500 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Exclusive stories and exciting new content shot with the new camera and Sony’s other imaging products can be found at www.alphauniverse.com, a site created to educate and inspire all fans and customers of Sony ? – Alpha brand cameras.

For detailed coverage on the new product on Alpha Universe, please visit this LINK.

The new content will also be posted directly at the Sony Photo Gallery.

For detailed product information, please visit:

(US) – ILCE-1
(CA) – ILCE-1

#

About Sony Electronics Inc.

Sony Electronics is a subsidiary of Sony Corporation of America and an affiliate of Sony Corporation (Japan), one of the most comprehensive entertainment companies in the world, with a portfolio that encompasses electronics, music, motion pictures, mobile, gaming, robotics and financial services. Headquartered in San Diego, California, Sony Electronics is a leader in electronics for the consumer and professional markets. Operations include research and development, engineering, sales, marketing, distribution and customer service. Sony Electronics creates products that innovate and inspire generations, such as the award-winning Alpha Interchangeable Lens Cameras and revolutionary high-resolution audio products. Sony is also a leading manufacturer of end-to-end solutions from 4K professional broadcast and A/V equipment to industry leading 4K and 8K Ultra HD TVs. Visit http://www.sony.com/news for more information.

Notes:
Compared to the BIONZ X imaging processing engine.
[ii] “Hi+” continuous shooting mode. In focus modes other than AF-C, effective at 1/125 sec. or higher shutter speed. In AF-C mode, effective at 1/250 sec. or higher shutter speed, and the maximum continuous frame rate will depend on the shooting mode and lens used. 20 fps max. when shooting Uncompressed or Lossless compressed RAW.
[iii] At shutter speeds of 1/125 sec. or higher. The number of AF calculations will depend on the lens used.
[iv] As of January 2021, Sony survey. Among full-frame mirrorless cameras.
[v] As of January 2021, Sony survey. Among full-frame interchangeable-lens digital still cameras.
[vi] Up to 1/200 sec. Synchronization via the sync terminal is not available for electronic shutter.
[vii] [APS-C S35 Shooting] is fixed [Off] when shooting 4K 120p and 8K movies.
[viii] 10% image crop.
[ix] Sony internal tests.
[x] When recording with S-Log3. Sony internal tests.
[xi] Still images only.
[xii] CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off.
[xiii] As of January 2021, Sony survey. Among interchangeable-lens digital still cameras.
[xiv] Field of view is fixed at 33? and resolution is UXGA when selecting frame rate at 240 fps.
[xv] 3.5 times faster when compared against the Alpha 9 II.
[xvi] “Hi+” continuous shooting mode, compressed RAW, CFexpress Type A memory card. Sony tests.
[xvii] “Hi+” continuous shooting mode, CFexpress Type A memory card. Sony tests.
[xviii] At 20 frames per second, users can shoot up to 238 full-frame compressed RAW images or 400 full-frame JPEG images.
[xix] 50mm lens, infinity, -1m-1 diopter.
[xx] Accurate focus may not be achieved with certain subjects in certain situations.
[xxi] Shutter speed slower than 0.5 sec. cannot be set while continuous shooting. Tracking performance and max. aperture differs by settings and lenses.
[xxii] Up to 1/200 sec. Synchronisation via the sync terminal is not available for electronic shutter.
[xxiii] Post-production editing and S&Q mode recording required. Data must be recorded to a CFexpress Type A memory card when the frame rate is 120 (100) fps or higher.
[xxiv] Sony internal tests with [Auto Power OFF Temp.] set to [High].
[xxv] Active Mode is not available for 8K recording.
[xxvi] Catalyst Browse(TM) version 2020.1 or later, Catalyst Prepare version 2020.1 or later are required.
[xxvii] 8K is not applicable.
[xxviii] Compatible recorders to be announced.
[xxix] 5 GHz communication may be restricted in some countries and regions.
[xxx] The Imaging Edge (Remote/Viewer/Edit) desktop application Ver. 3.1 or later is required for compositing.
[xxxi] Remote Camera Tool version 2.3 or later is required.
[xxxii] Not guaranteed to be 100% dust and water resistant.

Sony has announced the Alpha 1 mirrorless camera. It features a 50.1 MP sensor with a BIONZ XR(TM) imaging processing engine, which offers a native ISO range of up to 32,000 and a shutter sync speed of up to 1/400s when using the mechanical shutter. Video is available at 8K 30p 10-bit 4:2:0 XAVC HS and RAW out to an external recorder. Lastly, the Alpha 1 is equipped with an OLED EVF with a fresh rate of 240fps.

The Alpha 1 will ship in March, priced at $6,500.

Press release:

Groundbreaking Sony Alpha 1 Camera Marks a New Era in Professional Imaging

The Alpha 1 Delivers an Unprecedented Combination of Resolution, Speed and Video Performance, Empowering Professionals with a New High-Resolution 50.1-megapixel Full-frame Image Sensor, High-speed Shooting at up to 30 Frames per Second, 8K 30p Video and More

New 50.1-megapixel (approx., effective) full-frame stacked Exmor RS(TM) CMOS image sensor in combination with an upgraded BIONZ XR(TM) imaging processing engine with eight times more processing power

Blackout- free continuous shooting at up to 30 frames per second[ii]
Fast sensor readout enables up to 120 AF/AE calculations per second[iii], double the speed of the Alpha 9 II, even during 30fps continuous shooting
Bright and large 0.64-type 9.44 million-dot (approx.) OLED Quad-XGA electronic viewfinder with the world’s first[iv]refresh rate of 240 fps
Silent, vibration-free electronic shutter
World’s first[v] anti-flicker shooting with both mechanical and electronic shutter
Electronic shutter flash sync[vi] up to 1/200 sec. for the first time in the Alpha(TM) series
World’s fastestv mechanical shutter flash sync up to 1/400 sec.
8K 30p[vii] 10-bit 4:2:0 XAVC HS video recording with 8.6K oversampling for extraordinary detail and resolution, in addition to 4K 120p[viii] 10-bit 4:2:2 movie shooting capabilities
Wide dynamic range of 15 stops for stills[ix] and 15+ stops for video[x]
Improved Real-time Eye AF (autofocus) for humans and animals, and new Real-time Eye AF for birds[xi], as well as Real-time Tracking that automatically maintains accurate focus
5-axis optical in-body image stabilization for a 5.5-step[xii] shutter speed advantage
S-Cinetone color matrix as seen in FX9 and FX6 to deliver expressive cinematic look
Professional workflow support with the industry’s fastest[xiii] built-in Wi-Fi, SuperSpeed USB 10Gbps, 1000BASE-T Ethernet and more

SAN DIEGO, CA – January 26, 2021 – Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.

The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS(TM) image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they’ve never been able to before.

“We are always listening to our customers, challenging the industry to bring new innovation to the market that goes far beyond their expectations.” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “Alpha 1 breaks through all existing boundaries, setting a new bar for what creators can accomplish with a single camera. What excites us the most – more than the extensive product feature – is Alpha 1’s ability to capture that which has never been captured before. This camera unlocks a new world of creative possibilities, making the previously impossible now possible.”

The newly developed image sensor is built with integral memory and paired with an upgraded BIONZ XR imaging processing engine, making it capable of shooting 50.1-megapixel images continuously at an astounding 30fps with up to 120 AF/AE calculations per second. The Alpha 1’s shooting capabilities are further enhanced by a 9.44 million dot OLED Quad-XGA electronic viewfinder, with a refresh rate of up to 240 fps[xiv], ensuring no black out. Additionally, for the first time in an Alpha series camera, 8K 30p 10-bit 4:2:0 video is available. The Alpha 1 is also capable of 4K 120p / 60p 10-bit 4:2:2 recording and includes S-Cinetone color. The Alpha 1 is also packed with features that support field professionals with faster workflow, including 3.5 times faster wireless FTP transfer speed[xv] and more.

Unprecedented Resolution and Speed

Continuous Shooting at Up to 30 Frames Per Second

The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to 155 full-frame compressed RAW images[xvi] or 165 full-frame JPEG images[xvii] at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance[xviii].

At an astonishing calculation speed of up to 120 AF/AE per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 secondsii.

Advanced Electronic Viewfinder with the World’s Firstiv Refresh Rate of 240 fps

Complimenting the camera’s ability to capture images at an unprecedented speed, the Alpha 1 viewfinder features the world’s firstiv 240 fps refresh ratexiv, for a super-smooth display. The viewfinder does not black out when an exposure is made to offer an uninterrupted view and allow for seamless framing and tracking, even during continuous shooting. The 9.44 million-dot (approx.), 0.64 type Quad-XGA high-definition OLED display and refined optics deliver the highest resolution in its classiv. It also offers 0.90x[xix] viewfinder magnification, a 41? diagonal FOV, and a 25mm-high eyepoint for clear, low distortion viewing from corner to corner.

Advanced Autofocus

Sony continues to push the boundaries of autofocus technology with the introduction of the Alpha 1, which can easily track complex, fast-moving subjects with high precision. The camera features 759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area – ensuring accuracy and unfailing focus in environments where focusing might otherwise be difficult.

Sony’s advanced Real-time Eye AF improves detection performance by 30% over the previous systemi, thanks to the powerful image processing engine, BIONZ XR. It ensures accurate, reliable detection, even when the subject’s face looks away. In addition to improved Real-time Eye AF for humans and animals, the Alpha 1 employs high-level subject recognition technology to provide Real-time Eye AF for birdsxi, a first in an Alpha series camera. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes[xx].

The Alpha 1 also features AI-based Real-time Tracking that automatically maintains accurate focus. A subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed.

Silent, Vibration-free Electronic Shutter

High-speed readout from the new image sensor has made it possible to reduce rolling shutter by up to 1.5 times when shooting stills, compared to the Alpha 9 II. It also offers silent anti-flicker continuous shooting with an electronic shutter for the first timevin the world. The electronic shutter[xxi] operates silently, without mechanical noise, and is vibration-free. Stress-free continuous shooting is now possible even when shooting in challenging lighting situations with florescent or other flicker-prone types of artificial lighting. And for the first time in an Alpha camera, electronic shutter flash sync up to 1/200 sec[xxii] is possible. The advantages of the electronic shutter advantages can now come to life even when using flash for broadly expanded shooting versatility.

Dual Driven Shutter System for 1/400 Flash Sync

The Alpha 1 boasts the world’s fastest flash sync speedv of 1/400 sec. with mechanical shutter, making it even easier to capture dynamic action. In addition to a carbon fiber shutter curtain, the Alpha 1 features the newly developed dual driven shutter system utilizing spring and electromagnetic drive actuator, offering high durability and lightness at the same time.

High Resolution Shooting Enhancements

Even with this sensor’s high pixel count, the Alpha 1 offers high sensitivity with low noise, plus 15+ stops of dynamic range for video and 15 stops for stills, for smooth, natural gradations from shadows to highlights thanks to its cutting-edge processing system, throughout a wide ISO sensitivity range of 100-32,000 (expandable to 50-102,400, when shooting stills).

Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 796.2 million pixels of data, which are then composited into a 199 million pixel (17,280 x 11,520 pixels) image using Sony’s Imaging Edge(TM) desktop application. With a flash sync of up to 1/200 sec. in this mode, it is ideal for photographing architecture, art or any other still life subject with a level of detail and color accuracy that is simply stunning.

Professional Video Quality

8K High-resolution Movie Shooting

For the first time in an Alpha camera, the Alpha 1 offers 8K 30p 10-bit 4:2:0 XAVC HS recording with 8.6K oversampling for extraordinary resolution. Combined with Sony’s acclaimed autofocus technology, gradation and color reproduction performance, the Alpha 1 will help the user realize their creative vision with the finest detail. It’s 8K footage can also be used for flexible 4K editing during post-production.

Supporting Various Video Formats for Professionals

The Alpha 1 offers in-camera 4K recording at up to 120 frames per secondviii which allows the user to shoot up to 5X slow-motion video[xxiii]. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.

The Alpha 1 features S-Cinetone, the same color matrix that produces the highly regarded FX9 and FX6 color and skin tones. It delivers natural mid-tones, plus soft colors and gorgeous highlights to meet a growing need for more expressive depth. The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 1 footage with video shot on VENICE cinema camera, FX9 and other professional cinema cameras.

Heat-dissipating Structure

A unique heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p video continuously for approximately 30 minutes[xxiv].

Supporting Hand-held Shooting

A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The Alpha 1 also features an Active Mode[xxv] that offers outstanding stabilization for handheld movie shooting. When using Sony’s desktop applications Catalyst Browse or Catalyst Prepare[xxvi] for post-production, an accurate image stabilization function is available which utilizes metadata generated by camera’s built-in gyro.

Other features that the Alpha 1 offers include; 16-bit RAW output[xxvii] to an external recorder[xxviii] via HDMI for maximum post-production flexibility, a digital audio interface has been added to the camera’s Multi Interface (MI) Shoe for clearer audio recordings from a compatible Sony external microphone, 5.8K oversampled full pixel readout without pixel binning for high-resolution 4K movies in Super 35mm mode and more.

Enhanced Workflow with Network Technologies including Connectivity to 5G Compatible Devices

The Alpha 1 has been designed and configured to support photo and video journalists and sports shooters who need to deliver stills or movies as quickly as possible with advanced connectivity options. It offers several features for fast, reliable file transfers. Industry’s fastestxiii built-in wireless LAN allows communication on 2.4 GHz and 5 GHz[xxix] bands with dual antennas to ensure reliable communications. 5 GHz includes 2×2 MIMO support (IEEE 802.11a/b/g/n/ac) offering 3.5 times faster wireless FTP transfer speed than the Alpha 9 II – a notable advantage for news and sports shooters who need to deliver with reliable speed. There is also a provided USB Type-C(R) connector to support fast data transfer when connected to a 5G mmWave compatible device such as Sony’s Xperia PRO and makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The Alpha 1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.

In addition to compressed and uncompressed RAW, the Alpha 1 includes efficient lossless compression with no quality degradation, Lossless Compressed RAW. There is also a new “Light” JPEG/HEIF image quality setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed. Along with a versatile range of RAW and JPEG formats, the Alpha 1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. Images shot on the Alpha 1 can be trimmed in-camera to a desired aspect ratio, size, or position for versatile usage.

The Alpha 1 is also compatible with a variety of apps, add-ons and tools. With Imaging Edge Mobile and Imaging Edge Desktop[xxx], professionals can easily transfer RAW files and files that use lossless compression and remotely control Touch Tracking and Touch Focus for convenient AF operation. The Transfer & Tagging add-on (Ver. 1.3 or later) can automatically covert voice memos attached to image files to text captions or transfer the files to an FTP server from a mobile device. Desktop applications Catalyst Browse/Catalyst Preparexxvi allow professionals to browse and manage video clips shot by Sony’s camera. In addition, the Remote Camera Tool[xxxi] can remotely change camera settings and shoot from a computer connected via LAN cable and feature a number of refinements for the Alpha 1: faster transfer, touch response, dual slot and HEIF support, and more.

Reliable and Easy Operability

Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The Alpha 1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. It also features a durable magnesium alloy chassis, long battery life with the Z-battery which can be extended using the optional VG-C4EM Vertical Grip (sold separately), an improved dust removal feature, shutter close function on power-off to protect image sensor, plus dust and moisture resistance[xxxii] that maximizes reliability in challenging environments. It includes a durable, reliable HDMI Type-A connector, and USB PD (Power Delivery) support, allowing higher power to be supplied from an external source so that users can record for extended periods with minimal internal battery usage.

A revised menu structure provides easier navigation, and touch-responsive menu operation offers fast, more intuitive control with Touch Focus and Touch Tracking on its 3.0 type 1.44 million-dot (approx.) LCD monitor. For easy customization, a subset of the camera’s shooting settings now changes according to the selected shooting mode, making it easier than ever to use different aperture, shutter speed and other settings for shooting stills and movies.

Pricing and Availability

The Alpha 1 Full-frame Interchangeable-Lens Camera will be available in March 2021 for approximately $6,500 USD and $8,500 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Exclusive stories and exciting new content shot with the new camera and Sony’s other imaging products can be found at www.alphauniverse.com, a site created to educate and inspire all fans and customers of Sony ? – Alpha brand cameras.

For detailed coverage on the new product on Alpha Universe, please visit this LINK.

The new content will also be posted directly at the Sony Photo Gallery.

For detailed product information, please visit:

(US) – ILCE-1
(CA) – ILCE-1

#

About Sony Electronics Inc.

Sony Electronics is a subsidiary of Sony Corporation of America and an affiliate of Sony Corporation (Japan), one of the most comprehensive entertainment companies in the world, with a portfolio that encompasses electronics, music, motion pictures, mobile, gaming, robotics and financial services. Headquartered in San Diego, California, Sony Electronics is a leader in electronics for the consumer and professional markets. Operations include research and development, engineering, sales, marketing, distribution and customer service. Sony Electronics creates products that innovate and inspire generations, such as the award-winning Alpha Interchangeable Lens Cameras and revolutionary high-resolution audio products. Sony is also a leading manufacturer of end-to-end solutions from 4K professional broadcast and A/V equipment to industry leading 4K and 8K Ultra HD TVs. Visit http://www.sony.com/news for more information.

Notes: Compared to the BIONZ X imaging processing engine.
[ii] “Hi+” continuous shooting mode. In focus modes other than AF-C, effective at 1/125 sec. or higher shutter speed. In AF-C mode, effective at 1/250 sec. or higher shutter speed, and the maximum continuous frame rate will depend on the shooting mode and lens used. 20 fps max. when shooting Uncompressed or Lossless compressed RAW.
[iii] At shutter speeds of 1/125 sec. or higher. The number of AF calculations will depend on the lens used.
[iv] As of January 2021, Sony survey. Among full-frame mirrorless cameras.
[v] As of January 2021, Sony survey. Among full-frame interchangeable-lens digital still cameras.
[vi] Up to 1/200 sec. Synchronization via the sync terminal is not available for electronic shutter.
[vii] [APS-C S35 Shooting] is fixed [Off] when shooting 4K 120p and 8K movies.
[viii] 10% image crop.
[ix] Sony internal tests.
[x] When recording with S-Log3. Sony internal tests.
[xi] Still images only.
[xii] CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off.
[xiii] As of January 2021, Sony survey. Among interchangeable-lens digital still cameras.
[xiv] Field of view is fixed at 33? and resolution is UXGA when selecting frame rate at 240 fps.
[xv] 3.5 times faster when compared against the Alpha 9 II.
[xvi] “Hi+” continuous shooting mode, compressed RAW, CFexpress Type A memory card. Sony tests.
[xvii] “Hi+” continuous shooting mode, CFexpress Type A memory card. Sony tests.
[xviii] At 20 frames per second, users can shoot up to 238 full-frame compressed RAW images or 400 full-frame JPEG images.
[xix] 50mm lens, infinity, -1m-1 diopter.
[xx] Accurate focus may not be achieved with certain subjects in certain situations.
[xxi] Shutter speed slower than 0.5 sec. cannot be set while continuous shooting. Tracking performance and max. aperture differs by settings and lenses.
[xxii] Up to 1/200 sec. Synchronisation via the sync terminal is not available for electronic shutter.
[xxiii] Post-production editing and S&Q mode recording required. Data must be recorded to a CFexpress Type A memory card when the frame rate is 120 (100) fps or higher.
[xxiv] Sony internal tests with [Auto Power OFF Temp.] set to [High].
[xxv] Active Mode is not available for 8K recording.
[xxvi] Catalyst Browse(TM) version 2020.1 or later, Catalyst Prepare version 2020.1 or later are required.
[xxvii] 8K is not applicable.
[xxviii] Compatible recorders to be announced.
[xxix] 5 GHz communication may be restricted in some countries and regions.
[xxx] The Imaging Edge (Remote/Viewer/Edit) desktop application Ver. 3.1 or later is required for compositing.
[xxxi] Remote Camera Tool version 2.3 or later is required.
[xxxii] Not guaranteed to be 100% dust and water resistant.

Tagged: alpha 1, news, sony

Read MoreContinue Reading

The US state of Florida boasts more than 1,000 springs. Most of these springs discharge crystal clear groundwater from the porous limestone bedrock that makes up the Floridan aquifer – one of the most productive and spring-dense aquifers globally. These springs’ future is threatened by increasing groundwater consumption needed to slake the thirst of a growing population and expand agricultural industry and pollution from septic tanks, farm animal waste, and fertilizer. Over the last several decades, water flow from some springs has slowed to a trickle, and thick blankets of hairy algae have smothered the native vegetation in most springs.

I’ve witnessed the slow death of Florida’s springs over more than two decades of cave diving and spent the last 10 years studying Florida’s springs as a geology professor. While my research has improved my academic understanding of springs, I’ve gradually realized that writing another research paper doesn’t help the public understand Florida’s springs or inspire them to care about the slow-moving environmental catastrophe they’re facing. Regular people don’t read or understand academic papers. The average citizen doesn’t have an emotional reaction to a graph. But most people, scientists included, are captivated by engaging pictures. In 2019, I decided to combine my passions for environmental research and photography to take pictures and write captions that help people learn about Florida’s springs and the creatures that depend on them.

I shoot underwater with a Nikon Z6 in a Nauticam housing with a 230 mm glass dome. I use Nauticam’s 45-degree viewfinder to make it much easier to view the EVF while maintaining horizontal trim, which is essential for cave work. I have a strong preference for rectilinear lenses, and the Nikon Z 14-30mm f/4 has been my go-to choice underwater. I’ll break out my Nikon Z 24-70 f/4 or my Sigma 15mm f/2.8 fisheye lens on rare occasions. I’m not a big fan of fisheye distortion, and I have to focus this lens manually on the Z6, so I typically only use the Sigma if there is a chance that I’ll be shooting over-under shots on the surface. I experiment quite a lot with longer shutter speeds (up to several seconds) to create motion blur, both inside caves and on the surface. Sometimes I’ll combine the longer shutter speeds with rear curtain flash to freeze motion in part of the frame. On the surface, I rely on ambient light and small apertures for motion blur. I combine background light provided by up to 4 Big Blue 33k lumen video lights with 1 or 2 on-camera Inon Z330 strobes and diffusers in caves. Lastly, I’ve been using rebreathers for almost 20 years for technical dives, and they have provided me with tremendous flexibility for shooting underwater. Nearly all of my dives are limited by camera battery capacity, and I eagerly await the ability to get bigger battery packs inside my housing.

You can keep up with my latest photo projects by following me on Instagram – @jason_gulley_science.

Continue Reading

Read MoreIsotta is shipping their housing for the Sony a7S III. It has a 120mm bayonet port mount and can be fitted with two fiber optic or electrical flash sync bulkheads. It is also supplied with two M16 and one M24 port, to allow for HDMI out if required.

The Isotta housing for the Sony a7S Mark III is shipping now, priced at 2.690,00 EUR Incl. 22% VAT.

Press release

Isotta Underwater Camera Housing for Sony AlphaS III

Castelnuovo del Garda (VR), Italy, January, 2021
ISOTTA is pleased to announce the launch of its new underwater housing for Sony Alpha 7S III. This high-quality housing is hand-crafted and 100% made in Italy maximizing the underwater
performance of the Sony full frame power house.

The durable, corrosion-resistant anodized aluminum body in its signature red color weighs only 2300 grams including handles. It is designed to give photographers access to all functionalities of this advanced camera.

This Isotta housing is built in a compact form factor and offers an ergonomic interface with all aluminum controls placed within easy reach of the users hand. To make the interface even more convenient all function icons are laser engraved, so that photographers always know which functions they are using – a unique feature of Isotta housings. It’s unique single handed open/close mechanism makes it easy to access the camera.

As all Isotta housings the housing guarantees a watertight seal by having double O-rings on all buttons, dials and removable parts. But just to be sure there is a moisture alarm built
in that can warn the user in the unlikely case of a leak with a red LED and an acoustic sound.

The ports of the housing have a 120mm bayonet opening that enables the use of all Sony lenses including larger diameter lenses. Photographers and videographers can chose the
right combination of ports and extensions from the extensive Port Chart.

To connect underwater strobes photographers can chose from two options – either two fiber optic connections with a LED trigger, or sync cord sockets for Nikonos or S6 sync cords. It is also possible to order the housing with both options installed.

The housings feature two M16 ports for port for installation of accessories such as sync cords and vacuum valves. As a new feature Isotta now also offers a M24 port for video monitor cables.

The back housing is fully detachable from the front housing. It features a large anti-scratch glass for the camera display and an optical eye-piece for the camera viewfinder.

Working depth of this housing is 100 metres.

Dimensions: 282 mm W. x 126 mm D. x 185 mm H with handles.
Available from January 2020. The body has a retail price of 2.690,00 EUR Incl. 22% VAT.

TECHNICAL DATA

Signature red color anodized aluminum body;
Ergonomic side handles, adjustable (via optional accessory);
Two fiber optic ports;
Two M16 ports and one M24 ports, for installation of accessories, e.g. sync cords, vacuum valves or monitors; Optional installation of LED trigger or sync sockets or both
Back housing completely detachable from the front housing;
Sliding camera tray with lock;
Single-hand closing knob for back housing;
Aluminum buttons and dials with engraved symbols identical to camera controls;
Wide glass for the display and optical eye-piece for viewfinder;
Dual O-ring seals on all buttons and removable parts;
Moisture sensor with acoustic signal and LED indicator (replaceable battery);
Removable port – 120mm bayonet;
Wide, rubber covered feet for solid footing on boat floors or sea floor;
External viewfinders can be mounted, INON X-2 compatible;
M8 screw hole located on upper side of the housing for accessories such as focus lights;
Two M6 holes on bottom of housing bottom for accessories such as tripods or strobe brackets;
Replaceable viewfinder compatible with INON X-2 magnifiers and angled viewfinders;
Depth rated to 100 metres;
Weight: 2,300 grams with handles;
Size: 282 mm W. x 126 mm D. x 185 mm H with handles.

ABOUT ISOTTA

Isotecnic Srl designs and crafts underwater camera housings and accessories for DSLR, compact, mirrorless and action cameras under its family name brand ISOTTA – 100% made in Italy.
Since 1967 Isotta’s family has marketed high-end equipment for underwater video, photography and lighting starting its own production in 1980 in Castelnuovo del Garda (Verona), Northern Italy.

Tagged: a7s iii, isotta, news

by

Adam Hanlon

Isotta is shipping their housing for the Sony a7S III. It has a 120mm bayonet port mount and can be fitted with two fiber optic or electrical flash sync bulkheads. It is also supplied with two M16 and one M24 port, to allow for HDMI out if required.

The Isotta housing for the Sony a7S Mark III is shipping now, priced at 2.690,00 EUR Incl. 22% VAT.

Press release

Isotta Underwater Camera Housing for Sony AlphaS III

Castelnuovo del Garda (VR), Italy, January, 2021
ISOTTA is pleased to announce the launch of its new underwater housing for Sony Alpha 7S III. This high-quality housing is hand-crafted and 100% made in Italy maximizing the underwater
performance of the Sony full frame power house.

The durable, corrosion-resistant anodized aluminum body in its signature red color weighs only 2300 grams including handles. It is designed to give photographers access to all functionalities of this advanced camera.

This Isotta housing is built in a compact form factor and offers an ergonomic interface with all aluminum controls placed within easy reach of the users hand. To make the interface even more convenient all function icons are laser engraved, so that photographers always know which functions they are using – a unique feature of Isotta housings. It’s unique single handed open/close mechanism makes it easy to access the camera.

As all Isotta housings the housing guarantees a watertight seal by having double O-rings on all buttons, dials and removable parts. But just to be sure there is a moisture alarm built
in that can warn the user in the unlikely case of a leak with a red LED and an acoustic sound.

The ports of the housing have a 120mm bayonet opening that enables the use of all Sony lenses including larger diameter lenses. Photographers and videographers can chose the
right combination of ports and extensions from the extensive Port Chart.

To connect underwater strobes photographers can chose from two options – either two fiber optic connections with a LED trigger, or sync cord sockets for Nikonos or S6 sync cords. It is also possible to order the housing with both options installed.

The housings feature two M16 ports for port for installation of accessories such as sync cords and vacuum valves. As a new feature Isotta now also offers a M24 port for video monitor cables.

The back housing is fully detachable from the front housing. It features a large anti-scratch glass for the camera display and an optical eye-piece for the camera viewfinder.

Working depth of this housing is 100 metres.

Dimensions: 282 mm W. x 126 mm D. x 185 mm H with handles.
Available from January 2020. The body has a retail price of 2.690,00 EUR Incl. 22% VAT.

TECHNICAL DATA

• Signature red color anodized aluminum body;
• Ergonomic side handles, adjustable (via optional accessory);
• Two fiber optic ports;
• Two M16 ports and one M24 ports, for installation of accessories, e.g. sync cords, vacuum valves or monitors; Optional installation of LED trigger or sync sockets or both
• Back housing completely detachable from the front housing;
• Sliding camera tray with lock;
• Single-hand closing knob for back housing;
• Aluminum buttons and dials with engraved symbols identical to camera controls;
• Wide glass for the display and optical eye-piece for viewfinder;
• Dual O-ring seals on all buttons and removable parts;
• Moisture sensor with acoustic signal and LED indicator (replaceable battery);
• Removable port – 120mm bayonet;
• Wide, rubber covered feet for solid footing on boat floors or sea floor;
• External viewfinders can be mounted, INON X-2 compatible;
• M8 screw hole located on upper side of the housing for accessories such as focus lights;
• Two M6 holes on bottom of housing bottom for accessories such as tripods or strobe brackets;
• Replaceable viewfinder compatible with INON X-2 magnifiers and angled viewfinders;
• Depth rated to 100 metres;
• Weight: 2,300 grams with handles;
• Size: 282 mm W. x 126 mm D. x 185 mm H with handles.

ABOUT ISOTTA

Isotecnic Srl designs and crafts underwater camera housings and accessories for DSLR, compact, mirrorless and action cameras under its family name brand ISOTTA – 100% made in Italy.
Since 1967 Isotta’s family has marketed high-end equipment for underwater video, photography and lighting starting its own production in 1980 in Castelnuovo del Garda (Verona), Northern Italy.

Isotta is shipping their housing for the Sony a7S III. It has a 120mm bayonet port mount and can be fitted with two fiber optic or electrical flash sync bulkheads. It is also supplied with two M16 and one M24 port, to allow for HDMI out if required.

The Isotta housing for the Sony a7S Mark III is shipping now, priced at 2.690,00 EUR Incl. 22% VAT.

Press release

Isotta Underwater Camera Housing for Sony AlphaS III

Castelnuovo del Garda (VR), Italy, January, 2021
ISOTTA is pleased to announce the launch of its new underwater housing for Sony Alpha 7S III. This high-quality housing is hand-crafted and 100% made in Italy maximizing the underwater
performance of the Sony full frame power house.

The durable, corrosion-resistant anodized aluminum body in its signature red color weighs only 2300 grams including handles. It is designed to give photographers access to all functionalities of this advanced camera.

This Isotta housing is built in a compact form factor and offers an ergonomic interface with all aluminum controls placed within easy reach of the users hand. To make the interface even more convenient all function icons are laser engraved, so that photographers always know which functions they are using – a unique feature of Isotta housings. It’s unique single handed open/close mechanism makes it easy to access the camera.

As all Isotta housings the housing guarantees a watertight seal by having double O-rings on all buttons, dials and removable parts. But just to be sure there is a moisture alarm built
in that can warn the user in the unlikely case of a leak with a red LED and an acoustic sound.

The ports of the housing have a 120mm bayonet opening that enables the use of all Sony lenses including larger diameter lenses. Photographers and videographers can chose the
right combination of ports and extensions from the extensive Port Chart.

To connect underwater strobes photographers can chose from two options – either two fiber optic connections with a LED trigger, or sync cord sockets for Nikonos or S6 sync cords. It is also possible to order the housing with both options installed.

The housings feature two M16 ports for port for installation of accessories such as sync cords and vacuum valves. As a new feature Isotta now also offers a M24 port for video monitor cables.

The back housing is fully detachable from the front housing. It features a large anti-scratch glass for the camera display and an optical eye-piece for the camera viewfinder.

Working depth of this housing is 100 metres.

Dimensions: 282 mm W. x 126 mm D. x 185 mm H with handles.
Available from January 2020. The body has a retail price of 2.690,00 EUR Incl. 22% VAT.

TECHNICAL DATA

Signature red color anodized aluminum body;
Ergonomic side handles, adjustable (via optional accessory);
Two fiber optic ports;
Two M16 ports and one M24 ports, for installation of accessories, e.g. sync cords, vacuum valves or monitors; Optional installation of LED trigger or sync sockets or both
Back housing completely detachable from the front housing;
Sliding camera tray with lock;
Single-hand closing knob for back housing;
Aluminum buttons and dials with engraved symbols identical to camera controls;
Wide glass for the display and optical eye-piece for viewfinder;
Dual O-ring seals on all buttons and removable parts;
Moisture sensor with acoustic signal and LED indicator (replaceable battery);
Removable port – 120mm bayonet;
Wide, rubber covered feet for solid footing on boat floors or sea floor;
External viewfinders can be mounted, INON X-2 compatible;
M8 screw hole located on upper side of the housing for accessories such as focus lights;
Two M6 holes on bottom of housing bottom for accessories such as tripods or strobe brackets;
Replaceable viewfinder compatible with INON X-2 magnifiers and angled viewfinders;
Depth rated to 100 metres;
Weight: 2,300 grams with handles;
Size: 282 mm W. x 126 mm D. x 185 mm H with handles.

ABOUT ISOTTA

Isotecnic Srl designs and crafts underwater camera housings and accessories for DSLR, compact, mirrorless and action cameras under its family name brand ISOTTA – 100% made in Italy.
Since 1967 Isotta’s family has marketed high-end equipment for underwater video, photography and lighting starting its own production in 1980 in Castelnuovo del Garda (Verona), Northern Italy.

Tagged: a7s iii, isotta, news

Read More

Nauticam has released details of their housing for the Sony a7C mirrorless camera. It utilises the N100 Port system and has an M24 port for HDMI 2.0 compatibility. It ships with an integrated tray system with access to critical controls from the handles, and an integrated vacuum circuit. Strobe triggering is via fiber optic, with an optional LED flash trigger.

The NA-7C housing is shipping now, priced at $2,586.00.

NA-A7C Housing for Sony a7C Camera

Sony’s latest full frame mirrorless camera, the a7C offers the underwater image maker one of the most compact and travel friendly full frame systems available on the market today. The a7C features Sony’s latest stellar autofocus and a much improved battery life thanks to its use of the larger Z series battery. The BIONZ X processor delivers superb low-light performance and faster image processing. For video shooters, the a7C features internal UHD 4K capture in the wide-dynamic range HLG image profile at up to 30p.

The Nauticam NA-A7C Housing – Now Shipping

Nauticam is the industry leader in mirrorless interchangeable lens underwater camera support. Nauticam has housed more mirrorless cameras, and more Sony E Mount cameras than any other housing manufacturer. This experience results in the most evolved housing line with broadest range of accessories available today.

Pioneering optical accessories elevate performance to a new level. Magnifying viewfinders, the sharpest super macro accessory lenses ever made, and now the highest quality water contact wide angle lenses (the WWL-1B and WACP-1) combine with the NA-A7C housing to form a complete imaging system.

Nauticam is known for ergonomics, and an unmatched experience. Key controls are placed at the photographer’s fingertips. The housing and accessories are light weight, and easy to assemble. The camera drops in without any control pre-setting, and lens port changes are effortless.

NA-A7C features an integrated handle system. This ergonomic style provides exceptional control access, even with thick gloves, with ideal placement of the shutter release and a thumb-lever to actuate the AF-ON button from the right handle.

Nauticam build quality is well known by underwater photographers around the globe. The housing is machined from a solid block of aluminum, then hard anodized making it impervious to salt water corrosion. Marine grade stainless and plastic parts complete the housing, and it is backed by a two year warranty against manufacturing defects.

The NA-A7C featured with Sony’s new FE 28-60mm f/4-5.6 and Nauticam WWL-1B

NA-A7C Details:

• Model Number: 17429
• US$ Retail Price: $2586
• Port Opening: N100
• Depth Rating: 100m

Click Here for Complete Housing Details

---

Tagged: nauticam, news, sony a7c

Nauticam has released details of their housing for the Sony a7C mirrorless camera. It utilises the N100 Port system and has an M24 port for HDMI 2.0 compatibility. It ships with an integrated tray system with access to critical controls from the handles, and an integrated vacuum circuit. Strobe triggering is via fiber optic, with an optional LED flash trigger.

The NA-7C housing is shipping now, priced at $2,586.00.

NA-A7C Housing for Sony a7C Camera

Sony’s latest full frame mirrorless camera, the a7C offers the underwater image maker one of the most compact and travel friendly full frame systems available on the market today. The a7C features Sony’s latest stellar autofocus and a much improved battery life thanks to its use of the larger Z series battery. The BIONZ X processor delivers superb low-light performance and faster image processing. For video shooters, the a7C features internal UHD 4K capture in the wide-dynamic range HLG image profile at up to 30p.

The Nauticam NA-A7C Housing – Now Shipping

Nauticam is the industry leader in mirrorless interchangeable lens underwater camera support. Nauticam has housed more mirrorless cameras, and more Sony E Mount cameras than any other housing manufacturer. This experience results in the most evolved housing line with broadest range of accessories available today.

Pioneering optical accessories elevate performance to a new level. Magnifying viewfinders, the sharpest super macro accessory lenses ever made, and now the highest quality water contact wide angle lenses (the WWL-1B and WACP-1) combine with the NA-A7C housing to form a complete imaging system.

Nauticam is known for ergonomics, and an unmatched experience. Key controls are placed at the photographer’s fingertips. The housing and accessories are light weight, and easy to assemble. The camera drops in without any control pre-setting, and lens port changes are effortless.

NA-A7C features an integrated handle system. This ergonomic style provides exceptional control access, even with thick gloves, with ideal placement of the shutter release and a thumb-lever to actuate the AF-ON button from the right handle.

Nauticam build quality is well known by underwater photographers around the globe. The housing is machined from a solid block of aluminum, then hard anodized making it impervious to salt water corrosion. Marine grade stainless and plastic parts complete the housing, and it is backed by a two year warranty against manufacturing defects.

The NA-A7C featured with Sony’s new FE 28-60mm f/4-5.6 and Nauticam WWL-1B

NA-A7C Details:

• Model Number: 17429
• US$ Retail Price: $2586
• Port Opening: N100
• Depth Rating: 100m

Click Here for Complete Housing Details

---

Tagged: nauticam, news, sony a7c

Nauticam has released details of their housing for the Sony a7C mirrorless camera. It utilises the N100 Port system and has an M24 port for HDMI 2.0 compatibility. It ships with an integrated tray system with access to critical controls from the handles, and an integrated vacuum circuit. Strobe triggering is via fiber optic, with an optional LED flash trigger.

The NA-7C housing is shipping now, priced at $2,586.00.

NA-A7C Housing for Sony a7C Camera

Sony’s latest full frame mirrorless camera, the a7C offers the underwater image maker one of the most compact and travel friendly full frame systems available on the market today. The a7C features Sony’s latest stellar autofocus and a much improved battery life thanks to its use of the larger Z series battery. The BIONZ X processor delivers superb low-light performance and faster image processing. For video shooters, the a7C features internal UHD 4K capture in the wide-dynamic range HLG image profile at up to 30p.

The Nauticam NA-A7C Housing – Now Shipping

Nauticam is the industry leader in mirrorless interchangeable lens underwater camera support. Nauticam has housed more mirrorless cameras, and more Sony E Mount cameras than any other housing manufacturer. This experience results in the most evolved housing line with broadest range of accessories available today.

Pioneering optical accessories elevate performance to a new level. Magnifying viewfinders, the sharpest super macro accessory lenses ever made, and now the highest quality water contact wide angle lenses (the WWL-1B and WACP-1) combine with the NA-A7C housing to form a complete imaging system.

Nauticam is known for ergonomics, and an unmatched experience. Key controls are placed at the photographer’s fingertips. The housing and accessories are light weight, and easy to assemble. The camera drops in without any control pre-setting, and lens port changes are effortless.

NA-A7C features an integrated handle system. This ergonomic style provides exceptional control access, even with thick gloves, with ideal placement of the shutter release and a thumb-lever to actuate the AF-ON button from the right handle.

Nauticam build quality is well known by underwater photographers around the globe. The housing is machined from a solid block of aluminum, then hard anodized making it impervious to salt water corrosion. Marine grade stainless and plastic parts complete the housing, and it is backed by a two year warranty against manufacturing defects.

The NA-A7C featured with Sony’s new FE 28-60mm f/4-5.6 and Nauticam WWL-1B

NA-A7C Details:

Model Number: 17429
US$ Retail Price: $2586
Port Opening: N100
Depth Rating: 100m

Click Here for Complete Housing Details

Tagged: nauticam, news, sony a7c

Read More

Nauticam is shipping their WWL-1B wet wide angle conversion lens. It offers an 130° field of view with a compatible 28mm lens, and ships with an integrated aluminum buoyancy collar and a hard cover. Mounting is with Nauticam’s Bayonet Mount II, and like WWL-1, it offer full zoom through.

WWL-1B is shipping now, priced at $1,465.

Introducing WWL-1B

The next generation of WWL-1 is here! The WWL-1B features the same stunningly sharp optics as the WWL-1, but it now includes an integrated aluminum buoyancy collar to make it nearly neutral in water. The WWL-1 and now WWL-1B are still the highest quality wet-changeable underwater wide-angle conversion optics ever made, featuring unmatched contrast, overall sharpness, corner sharpness, and clarity. The design is truly full zoom through, allowing zoom to to be used as a tool for framing, and removable in water for close-up and macro shots.

The NA-A7C featured with Sony’s new FE 28-60mm f/4-5.6 and Nauticam WWL-1B

Bayonet Mount II

The WWL-1B is designed around the Bayonet Mount II system and is compatible with the following accessories:

• 83250 M67 to Bayonet Converter II
• 83251 M77 to Bayonet Converter II
• 83252 Single Bayonet Holder II for Arms
• 83253 Double Bayonet Holder II for Arms
• 83254 Single Bayonet Holder II for Inon Arms
• 72234 Double Bayonet Holder II for 70mm Carbon Fiber Float Arms
• 72233 Single Bayonet Holder II for 70mm Carbon Fiber Float Arms
• 72244 Double Bayonet Holder II for 90mm Carbon Fiber Float Arms
• 72243 Single Bayonet Holder II for 90mm Carbon Fiber Float Arms

Compatibility

When using the 83250 or 83251 Bayonet Converter II, the WWL-1B shares the same wide range of compatibility at the WWL-1 and can be used interchangeably on the WWL-1 port chart.

WWL-1 and WWL-1B Port Chart
83250 or 83251 Bayonet Converter II required for WWL-1B

WWL-1B Details:

• Model Number: 83202
• US$ Retail Price: $1465
• Depth Rating: 100m

What’s In The Box:

• WWL-1B
• Hard Front Lens Cover
• Rear Lens Cover
• Microfiber Cloth for Cleaning
• Padded Travel Bag

Click Here for Complete Details.

---

Tagged: nautica, news, wwl-1b

Nauticam is shipping their WWL-1B wet wide angle conversion lens. It offers an 130° field of view with a compatible 28mm lens, and ships with an integrated aluminum buoyancy collar and a hard cover. Mounting is with Nauticam’s Bayonet Mount II, and like WWL-1, it offer full zoom through.

WWL-1B is shipping now, priced at $1,465.

Introducing WWL-1B

The next generation of WWL-1 is here! The WWL-1B features the same stunningly sharp optics as the WWL-1, but it now includes an integrated aluminum buoyancy collar to make it nearly neutral in water. The WWL-1 and now WWL-1B are still the highest quality wet-changeable underwater wide-angle conversion optics ever made, featuring unmatched contrast, overall sharpness, corner sharpness, and clarity. The design is truly full zoom through, allowing zoom to to be used as a tool for framing, and removable in water for close-up and macro shots.

The NA-A7C featured with Sony’s new FE 28-60mm f/4-5.6 and Nauticam WWL-1B

Bayonet Mount II

The WWL-1B is designed around the Bayonet Mount II system and is compatible with the following accessories:

• 83250 M67 to Bayonet Converter II
• 83251 M77 to Bayonet Converter II
• 83252 Single Bayonet Holder II for Arms
• 83253 Double Bayonet Holder II for Arms
• 83254 Single Bayonet Holder II for Inon Arms
• 72234 Double Bayonet Holder II for 70mm Carbon Fiber Float Arms
• 72233 Single Bayonet Holder II for 70mm Carbon Fiber Float Arms
• 72244 Double Bayonet Holder II for 90mm Carbon Fiber Float Arms
• 72243 Single Bayonet Holder II for 90mm Carbon Fiber Float Arms

Compatibility

When using the 83250 or 83251 Bayonet Converter II, the WWL-1B shares the same wide range of compatibility at the WWL-1 and can be used interchangeably on the WWL-1 port chart.

WWL-1 and WWL-1B Port Chart
83250 or 83251 Bayonet Converter II required for WWL-1B

WWL-1B Details:

• Model Number: 83202
• US$ Retail Price: $1465
• Depth Rating: 100m

What’s In The Box:

• WWL-1B
• Hard Front Lens Cover
• Rear Lens Cover
• Microfiber Cloth for Cleaning
• Padded Travel Bag

Click Here for Complete Details.

---

Tagged: nautica, news, wwl-1b

Nauticam is shipping their WWL-1B wet wide angle conversion lens. It offers an 130° field of view with a compatible 28mm lens, and ships with an integrated aluminum buoyancy collar and a hard cover. Mounting is with Nauticam’s Bayonet Mount II, and like WWL-1, it offer full zoom through.

WWL-1B is shipping now, priced at $1,465.

Introducing WWL-1B

The next generation of WWL-1 is here! The WWL-1B features the same stunningly sharp optics as the WWL-1, but it now includes an integrated aluminum buoyancy collar to make it nearly neutral in water. The WWL-1 and now WWL-1B are still the highest quality wet-changeable underwater wide-angle conversion optics ever made, featuring unmatched contrast, overall sharpness, corner sharpness, and clarity. The design is truly full zoom through, allowing zoom to to be used as a tool for framing, and removable in water for close-up and macro shots.

The NA-A7C featured with Sony’s new FE 28-60mm f/4-5.6 and Nauticam WWL-1B

Bayonet Mount II

The WWL-1B is designed around the Bayonet Mount II system and is compatible with the following accessories:

83250 M67 to Bayonet Converter II
83251 M77 to Bayonet Converter II
83252 Single Bayonet Holder II for Arms
83253 Double Bayonet Holder II for Arms
83254 Single Bayonet Holder II for Inon Arms
72234 Double Bayonet Holder II for 70mm Carbon Fiber Float Arms
72233 Single Bayonet Holder II for 70mm Carbon Fiber Float Arms
72244 Double Bayonet Holder II for 90mm Carbon Fiber Float Arms
72243 Single Bayonet Holder II for 90mm Carbon Fiber Float Arms

Compatibility

When using the 83250 or 83251 Bayonet Converter II, the WWL-1B shares the same wide range of compatibility at the WWL-1 and can be used interchangeably on the WWL-1 port chart.

WWL-1 and WWL-1B Port Chart83250 or 83251 Bayonet Converter II required for WWL-1B

WWL-1B Details:

Model Number: 83202
US$ Retail Price: $1465
Depth Rating: 100m
What’s In The Box:

WWL-1B
Hard Front Lens Cover
Rear Lens Cover
Microfiber Cloth for Cleaning
Padded Travel Bag
Click Here for Complete Details.

Tagged: nautica, news, wwl-1b

Read More

Inon has released a new series high CRI LED torches. Available in 30° and 75° versions, the “h” series lights have a color temperature of 6500°K with a CRI of 90. The new lights are shipping now, please consult with your local dealer for pricing information.

Press release

High CRI LED flashlight LE600h-S, LE600h-W

INON INC. is pleased to announce new addition of “h” series LED flashlight released on January 21st, 2021. The “h” series produces 6500K with higher CRI to reproduce natural color without particular hue for underwater photography, videography. These new LED lights are available for immediate shipment.

• LE600h-S
  　 * Release date: January 21st, 2021
  　 * JAN code: 456212143 991 7

• LE600h-W
  　 * Release date: January 21st, 2021
  　 * JAN code: 456212143 992 4

LE600h-S: Standard 30 degree version

LE600h-W: Wide 75 degree version

Features

INON LED flashlight “h series” is equipped with quality LED module delivering 90 CRI and 6500K. Higher CRI enables to reproduce natural color of a subject when shooting still image or video using LED flashlight as a primary lighting source and higher CCT (correlated color temperature) attains similar color tone of INON strobe to make it easier to use as a focus light without particular color hue.

Specifications

Please refer to below link page.

• [LE600-h-S] http://www.inon.jp/pdf-dl/_userdata/LE600h-S_spec_202101_en.pdf [PDF]
• [LE600-h-W] http://www.inon.jp/pdf-dl/_userdata/LE600h-W_spec_202101_en.pdf [PDF]

---

Tagged: inon, news, torches

Inon has released a new series high CRI LED torches. Available in 30° and 75° versions, the “h” series lights have a color temperature of 6500°K with a CRI of 90. The new lights are shipping now, please consult with your local dealer for pricing information.

Press release

High CRI LED flashlight LE600h-S, LE600h-W

INON INC. is pleased to announce new addition of “h” series LED flashlight released on January 21st, 2021. The “h” series produces 6500K with higher CRI to reproduce natural color without particular hue for underwater photography, videography. These new LED lights are available for immediate shipment.

• LE600h-S
  　 * Release date: January 21st, 2021
  　 * JAN code: 456212143 991 7

• LE600h-W
  　 * Release date: January 21st, 2021
  　 * JAN code: 456212143 992 4

LE600h-S: Standard 30 degree version

LE600h-W: Wide 75 degree version

Features

INON LED flashlight “h series” is equipped with quality LED module delivering 90 CRI and 6500K. Higher CRI enables to reproduce natural color of a subject when shooting still image or video using LED flashlight as a primary lighting source and higher CCT (correlated color temperature) attains similar color tone of INON strobe to make it easier to use as a focus light without particular color hue.

Specifications

Please refer to below link page.

• [LE600-h-S] http://www.inon.jp/pdf-dl/_userdata/LE600h-S_spec_202101_en.pdf [PDF]
• [LE600-h-W] http://www.inon.jp/pdf-dl/_userdata/LE600h-W_spec_202101_en.pdf [PDF]

---

Tagged: inon, news, torches

Inon has released a new series high CRI LED torches. Available in 30° and 75° versions, the “h” series lights have a color temperature of 6500°K with a CRI of 90. The new lights are shipping now, please consult with your local dealer for pricing information.

Press release

High CRI LED flashlight LE600h-S, LE600h-W

INON INC. is pleased to announce new addition of “h” series LED flashlight released on January 21st, 2021. The “h” series produces 6500K with higher CRI to reproduce natural color without particular hue for underwater photography, videography. These new LED lights are available for immediate shipment.

LE600h-S
　 * Release date: January 21st, 2021
　 * JAN code: 456212143 991 7
LE600h-W
　 * Release date: January 21st, 2021
　 * JAN code: 456212143 992 4

LE600h-S: Standard 30 degree version

LE600h-W: Wide 75 degree version

Features

INON LED flashlight “h series” is equipped with quality LED module delivering 90 CRI and 6500K. Higher CRI enables to reproduce natural color of a subject when shooting still image or video using LED flashlight as a primary lighting source and higher CCT (correlated color temperature) attains similar color tone of INON strobe to make it easier to use as a focus light without particular color hue.

Specifications

Please refer to below link page.

[LE600-h-S] http://www.inon.jp/pdf-dl/_userdata/LE600h-S_spec_202101_en.pdf [PDF]
[LE600-h-W] http://www.inon.jp/pdf-dl/_userdata/LE600h-W_spec_202101_en.pdf [PDF]

Tagged: inon, news, torches

Read MoreSeacam has released images and details of their new Silver housing for the Canon EOS R5 mirrorless camera and a housing for the Atomos Ninja V recorder/monitor.

The housing is compatible with Seacam’s port system and has three standard ports for vacuum, remote control, or strobe triggering, along with a specific port for Seacam’s new HDMI 2.0 bulkhead.

It is compatible with the Canon EF to R adaptors, allowing the use of both Canon EF and R mount lenses. It has a control that allows access to the camera’s rear multi-controller.

Big lenses are a challenge for housing designers. In order to provide full manual access to lens focus, zoom, and control rings, Seacam has designed a specific extension with an additional manual control gear.

The Ninja V housing will accommodate the Sony NP-F970 which gives around one and a half hours of life.

It has button and dial access to the monitor’s controls and a lever for power, which can be set up to control camera recording too. It has 2 ports that will allow the fitting of a vacuum if required and is supplied with a sunshade for shooting in shallow water.

Seacam owner Harald Hordosch with the new Seacam Silver R5 and Ninja V housings.

Please contact Seacam or your local dealer for availability and pricing details

Tagged: eos r5, news, seacam

by

Adam Hanlon

Seacam has released images and details of their new Silver housing for the Canon EOS R5 mirrorless camera and a housing for the Atomos Ninja V recorder/monitor.

The housing is compatible with Seacam’s port system and has three standard ports for vacuum, remote control, or strobe triggering, along with a specific port for Seacam’s new HDMI 2.0 bulkhead.

It is compatible with the Canon EF to R adaptors, allowing the use of both Canon EF and R mount lenses. It has a control that allows access to the camera’s rear multi-controller.

Big lenses are a challenge for housing designers. In order to provide full manual access to lens focus, zoom, and control rings, Seacam has designed a specific extension with an additional manual control gear.

The Ninja V housing will accommodate the Sony NP-F970 which gives around one and a half hours of life.

It has button and dial access to the monitor’s controls and a lever for power, which can be set up to control camera recording too. It has 2 ports that will allow the fitting of a vacuum if required and is supplied with a sunshade for shooting in shallow water.

Please contact Seacam or your local dealer for availability and pricing details

Seacam has released images and details of their new Silver housing for the Canon EOS R5 mirrorless camera and a housing for the Atomos Ninja V recorder/monitor.

The housing is compatible with Seacam’s port system and has three standard ports for vacuum, remote control, or strobe triggering, along with a specific port for Seacam’s new HDMI 2.0 bulkhead.

It is compatible with the Canon EF to R adaptors, allowing the use of both Canon EF and R mount lenses. It has a control that allows access to the camera’s rear multi-controller.

Big lenses are a challenge for housing designers. In order to provide full manual access to lens focus, zoom, and control rings, Seacam has designed a specific extension with an additional manual control gear.

The Ninja V housing will accommodate the Sony NP-F970 which gives around one and a half hours of life.

It has button and dial access to the monitor’s controls and a lever for power, which can be set up to control camera recording too. It has 2 ports that will allow the fitting of a vacuum if required and is supplied with a sunshade for shooting in shallow water.

Seacam owner Harald Hordosch with the new Seacam Silver R5 and Ninja V housings.

Please contact Seacam or your local dealer for availability and pricing details

Tagged: eos r5, news, seacam

Read More

Seacam has released images and details of their new Silver housing for the Canon EOS R5 mirrorless camera and a housing for the Atomos Ninja V recorder/monitor.

The housing is compatible with Seacam’s port system and has three standard ports for vacuum, remote control, or strobe triggering, along with a specific port for Seacam’s new HDMI 2.0 bulkhead.

It is compatible with the Canon EF to R adaptors, allowing the use of both Canon EF and R mount lenses. It has a control that allows access to the camera’s rear multi-controller.

Big lenses are a challenge for housing designers. In order to provide full manual access to lens focus, zoom, and control rings, Seacam has designed a specific extension with an additional manual control gear.

The Ninja V housing will accommodate the Sony NP-F970 which gives around one and a half hours of life.

It has button and dial access to the monitor’s controls and a lever for power, which can be set up to control camera recording too. It has 2 ports that will allow the fitting of a vacuum if required and is supplied with a sunshade for shooting in shallow water.

Seacam owner Harald Hordosch with the new Seacam Silver R5 and Ninja V housings.

Please contact Seacam or your local dealer for availability and pricing details

---

Tagged: eos r5, news, seacam

Seacam has released images and details of their new Silver housing for the Canon EOS R5 mirrorless camera and a housing for the Atomos Ninja V recorder/monitor.

The housing is compatible with Seacam’s port system and has three standard ports for vacuum, remote control, or strobe triggering, along with a specific port for Seacam’s new HDMI 2.0 bulkhead.

It is compatible with the Canon EF to R adaptors, allowing the use of both Canon EF and R mount lenses. It has a control that allows access to the camera’s rear multi-controller.

Big lenses are a challenge for housing designers. In order to provide full manual access to lens focus, zoom, and control rings, Seacam has designed a specific extension with an additional manual control gear.

The Ninja V housing will accommodate the Sony NP-F970 which gives around one and a half hours of life.

It has button and dial access to the monitor’s controls and a lever for power, which can be set up to control camera recording too. It has 2 ports that will allow the fitting of a vacuum if required and is supplied with a sunshade for shooting in shallow water.

Seacam owner Harald Hordosch with the new Seacam Silver R5 and Ninja V housings.

Please contact Seacam or your local dealer for availability and pricing details

---

Tagged: eos r5, news, seacam

Seacam has released images and details of their new Silver housing for the Canon EOS R5 mirrorless camera and a housing for the Atomos Ninja V recorder/monitor.

The housing is compatible with Seacam’s port system and has three standard ports for vacuum, remote control, or strobe triggering, along with a specific port for Seacam’s new HDMI 2.0 bulkhead.

It is compatible with the Canon EF to R adaptors, allowing the use of both Canon EF and R mount lenses. It has a control that allows access to the camera’s rear multi-controller.

Big lenses are a challenge for housing designers. In order to provide full manual access to lens focus, zoom, and control rings, Seacam has designed a specific extension with an additional manual control gear.

The Ninja V housing will accommodate the Sony NP-F970 which gives around one and a half hours of life.

It has button and dial access to the monitor’s controls and a lever for power, which can be set up to control camera recording too. It has 2 ports that will allow the fitting of a vacuum if required and is supplied with a sunshade for shooting in shallow water.

Seacam owner Harald Hordosch with the new Seacam Silver R5 and Ninja V housings.

Please contact Seacam or your local dealer for availability and pricing details

Tagged: eos r5, news, seacam

Read MoreWide angle 1st Place and Best in Show: “The Day of the Tentacle” by Gaetano Dario Gargiulo

The results of the 2020 Ocean Art Underwater Photo Contest have been announced. Hearty congratulations to Gaetano Dario Gargiulo for his winning CFWA image of an octopus with its tentacles on the dome and to all the other photographers and members of the Wetpixel community among the placings.

Press release

9th Annual Ocean Art Underwater Photo Contest Winners Announced

Ocean Art Contest Announces the Best Underwater Photos of the Year

Culver City, CA – January 13, 2021 – The prestigious Ocean Art Underwater Photo Competition, organized by the Underwater Photography Guide, has announced the best underwater photos this year with its 2020 winners. Despite global travel restrictions and the challenges brought by the Covid-19 pandemic, the 9th annual competition attracted an extremely high caliber of photos from oceans around the world. Underwater explorers took photos in their own backyards or select destinations open to travel and revisited their archives to bring us some eye-catching photography. This unique assortment of photos could not have been possible without the help of our generous sponsors who have all had to navigate a changing travel and dive industry. Many of these same sponsors helped the Ocean Art competition raise money earlier this year to donate to the WHO and CDC in their fight against Covid-19. These photos showcase the perseverance of underwater artistry amidst the adversity of the times.

Winning photos can be seen at the Underwater Photography Guide.

The Best of Show is a once-in-a-lifetime moment of an octopus taking a selfie with the help of the photographer and his curious family in the background. The photo was captured by photographer Gaetano Dario Gargiulo close to his home in the tide pools of Kamay Botany Bay National Park, New South Wales, Australia. Other extraordinary winners include astonishing scenes of animal behavior, images that bring hope for the next generation of sea creatures, displays of ingenious photographic technique, and conservation scenes that reflect on not just the need to conserve our planet, but our species as well. The judges evaluated thousands of entries from 80 countries before selecting the final set of images as Ocean Art winners.
Ocean Art 2020 judges included prestigious underwater photographers Tony Wu, Mark Strickland, and Marty Snyderman.

Ocean Art prizes are provided by some of the world’s top scuba diving resorts, liveaboard dive yachts, and underwater photo gear manufacturers. Grand prizes include a choice of 7 or 8 nights for two aboard the Coralia Liveaboard in Raja Ampat or Komodo, a 7 night liveaboard trip on the M.V. Bilikili in the Solomon Islands, a 7-night dive package with Villa Markisa, a 7 night dive package at Siladen Resort & Spa in Bunaken, a 12 night Passport to Paradise with Murex Dive Resorts and Lembeh Resort to three different Indonesian destinations, a 5-night dive vacation with AquaMarine Diving Bali & Ramayana Candidasa, a 7-night dive vacation at Atlantis Philippines Dive Resorts, and a variety of gift certificates from Bluewater Photo and Bluewater Travel.

Premium travel prizes are provided by Volivoli Beach Resort (Fiji), Crystal Blue Dive Resort (Philippines), and Solitude Liveaboards & Resorts (Philippines and Indonesia). Premium gear prizes are provided by Sea & Sea and Ikelite. 12 different categories ensure a competitive contest for all levels and disciplines of underwater photography.

The photographic ingenuity from competitors is getting better every year – making judging very difficult and demonstrating that the winning images are some of the best in the world. Bluewater Photo and Bluewater Travel owner and Underwater Photography Guide publisher, Scott Gietler commented, “The Ocean Art team was thrilled to see that so many photographers were able to get out, dive, and immerse themselves in photography this year. The Best of Show was especially impressive. My only concern is that the octopus should get its share of the prize, as it did assist in taking the shot!”

Complete list of winners:

Wide Angle

2nd Place: Gilles Auroux

3rd Place: Qing Lin
4th Place: Celia Kujala
Honorable Mention: Matt Curnock
Honorable Mention: Filip Staes

Macro

1st Place: Galice Hoarau
2nd Place: Sayaka Ichinoseki
3rd Place: Ludovic Galko-Rundgren
Honorable Mention: Andy Schmid
Honorable Mention: Erika Miura

Marine Life Behavior

1st Place: Steven Kovacs

2nd Place: Louise Nott
3rd Place: Salvatore Lanniello
4th Place: Mayumi Takeuchi-Ebbins
Honorable Mention: Adam Martin
Honorable Mention: Luke Gordon

Portrait

1st Place: Galice Hoarau

2nd Place: Jeff Molder
3rd Place: Igor Bogachenko
4th Place: Thomas Gaitley
Honorable Mention: Catherine Holmes

Coldwater

1st Place: Jon Anderson
2nd Place: Johan Sundelin
3rd Place: Matthew Sullivan
Honorable Mention: Jon Anderson
Honorable Mention: Celia Kujala

Nudibranch

1st Place: Wen Chou Wu

2nd Place: Luca De Pauli
3rd Place: Raffaele Livornese
Honorable Mention: Jon Anderson
Honorable Mention: Fred Turoff

Blackwater

1st Place: Steven Kovacs

2nd Place: Steven Kovacs
3rd Place: Galice Hoarau
Honorable Mention: Steven Kovacs
Honorable Mention: Lureen Ferretti

Underwater Conservation

1st Place: Christophe Chellapermal

2nd Place: Celia Kujala
3rd Place: Stephanie Doniger
4th Place Eduardo Acevedo
Honorable Mention: Rafael Fernanadez
Honorable Mention: Alex Lindbloom

Underwater Art

1st Place: Jenny Stock

2nd Place: Justin Lutsky
3rd Place: Andrey Savin
Honorable Mention: Michal Stros

Compact Wide Angle

1st Place: Enrico Somogyi

2nd Place: Joanna Chen
3rd Place: Andrea Michelutti
Honorable Mention: Na Mi
Honorable Mention: Alexandra Vautin

Compact Macro

1st Place: PT Hirschfield

2nd Place: Brian Vaccarella
3rd Place: PT Hirschfield
Honorable Mention: Daniela Menegon
Honorable Mention: Kathrin Landgraf-Kluge

Compact Behavior

1st Place: Chia Chi Chang

2nd Place: Jules Casey
3rd Place: Jules Casey
Honorable Mention: Stephanie Doniger
Honorable Mention: Michele Sbrilli

Tagged: news, ocean art 2020, results

by

Adam Hanlon

The results of the 2020 Ocean Art Underwater Photo Contest have been announced. Hearty congratulations to Gaetano Dario Gargiulo for his winning CFWA image of an octopus with its tentacles on the dome and to all the other photographers and members of the Wetpixel community among the placings.

Press release

9th Annual Ocean Art Underwater Photo Contest Winners Announced

Ocean Art Contest Announces the Best Underwater Photos of the Year

Culver City, CA – January 13, 2021 – The prestigious Ocean Art Underwater Photo Competition, organized by the Underwater Photography Guide, has announced the best underwater photos this year with its 2020 winners. Despite global travel restrictions and the challenges brought by the Covid-19 pandemic, the 9th annual competition attracted an extremely high caliber of photos from oceans around the world. Underwater explorers took photos in their own backyards or select destinations open to travel and revisited their archives to bring us some eye-catching photography. This unique assortment of photos could not have been possible without the help of our generous sponsors who have all had to navigate a changing travel and dive industry. Many of these same sponsors helped the Ocean Art competition raise money earlier this year to donate to the WHO and CDC in their fight against Covid-19. These photos showcase the perseverance of underwater artistry amidst the adversity of the times.

Winning photos can be seen at the Underwater Photography Guide.

The Best of Show is a once-in-a-lifetime moment of an octopus taking a selfie with the help of the photographer and his curious family in the background. The photo was captured by photographer Gaetano Dario Gargiulo close to his home in the tide pools of Kamay Botany Bay National Park, New South Wales, Australia. Other extraordinary winners include astonishing scenes of animal behavior, images that bring hope for the next generation of sea creatures, displays of ingenious photographic technique, and conservation scenes that reflect on not just the need to conserve our planet, but our species as well. The judges evaluated thousands of entries from 80 countries before selecting the final set of images as Ocean Art winners.
Ocean Art 2020 judges included prestigious underwater photographers Tony Wu, Mark Strickland, and Marty Snyderman.

Ocean Art prizes are provided by some of the world’s top scuba diving resorts, liveaboard dive yachts, and underwater photo gear manufacturers. Grand prizes include a choice of 7 or 8 nights for two aboard the Coralia Liveaboard in Raja Ampat or Komodo, a 7 night liveaboard trip on the M.V. Bilikili in the Solomon Islands, a 7-night dive package with Villa Markisa, a 7 night dive package at Siladen Resort & Spa in Bunaken, a 12 night Passport to Paradise with Murex Dive Resorts and Lembeh Resort to three different Indonesian destinations, a 5-night dive vacation with AquaMarine Diving Bali & Ramayana Candidasa, a 7-night dive vacation at Atlantis Philippines Dive Resorts, and a variety of gift certificates from Bluewater Photo and Bluewater Travel.

Premium travel prizes are provided by Volivoli Beach Resort (Fiji), Crystal Blue Dive Resort (Philippines), and Solitude Liveaboards & Resorts (Philippines and Indonesia). Premium gear prizes are provided by Sea & Sea and Ikelite. 12 different categories ensure a competitive contest for all levels and disciplines of underwater photography.

The photographic ingenuity from competitors is getting better every year – making judging very difficult and demonstrating that the winning images are some of the best in the world. Bluewater Photo and Bluewater Travel owner and Underwater Photography Guide publisher, Scott Gietler commented, “The Ocean Art team was thrilled to see that so many photographers were able to get out, dive, and immerse themselves in photography this year. The Best of Show was especially impressive. My only concern is that the octopus should get its share of the prize, as it did assist in taking the shot!”

Complete list of winners:

Wide Angle

3rd Place: Qing Lin
4th Place: Celia Kujala
Honorable Mention: Matt Curnock
Honorable Mention: Filip Staes

Macro

2nd Place: Sayaka Ichinoseki
3rd Place: Ludovic Galko-Rundgren
Honorable Mention: Andy Schmid
Honorable Mention: Erika Miura

Marine Life Behavior

2nd Place: Louise Nott
3rd Place: Salvatore Lanniello
4th Place: Mayumi Takeuchi-Ebbins
Honorable Mention: Adam Martin
Honorable Mention: Luke Gordon

Portrait

2nd Place: Jeff Molder
3rd Place: Igor Bogachenko
4th Place: Thomas Gaitley
Honorable Mention: Catherine Holmes

Coldwater

2nd Place: Johan Sundelin
3rd Place: Matthew Sullivan
Honorable Mention: Jon Anderson
Honorable Mention: Celia Kujala

Nudibranch

2nd Place: Luca De Pauli
3rd Place: Raffaele Livornese
Honorable Mention: Jon Anderson
Honorable Mention: Fred Turoff

Blackwater

2nd Place: Steven Kovacs
3rd Place: Galice Hoarau
Honorable Mention: Steven Kovacs
Honorable Mention: Lureen Ferretti

Underwater Conservation

2nd Place: Celia Kujala
3rd Place: Stephanie Doniger
4th Place Eduardo Acevedo
Honorable Mention: Rafael Fernanadez
Honorable Mention: Alex Lindbloom

Underwater Art

2nd Place: Justin Lutsky
3rd Place: Andrey Savin
Honorable Mention: Michal Stros

Compact Wide Angle

2nd Place: Joanna Chen
3rd Place: Andrea Michelutti
Honorable Mention: Na Mi
Honorable Mention: Alexandra Vautin

Compact Macro

2nd Place: Brian Vaccarella
3rd Place: PT Hirschfield
Honorable Mention: Daniela Menegon
Honorable Mention: Kathrin Landgraf-Kluge

Compact Behavior

2nd Place: Jules Casey
3rd Place: Jules Casey
Honorable Mention: Stephanie Doniger
Honorable Mention: Michele Sbrilli

Wide angle 1st Place and Best in Show: “The Day of the Tentacle” by Gaetano Dario Gargiulo

The results of the 2020 Ocean Art Underwater Photo Contest have been announced. Hearty congratulations to Gaetano Dario Gargiulo for his winning CFWA image of an octopus with its tentacles on the dome and to all the other photographers and members of the Wetpixel community among the placings.

Press release

9th Annual Ocean Art Underwater Photo Contest Winners Announced

Ocean Art Contest Announces the Best Underwater Photos of the Year

Culver City, CA – January 13, 2021 – The prestigious Ocean Art Underwater Photo Competition, organized by the Underwater Photography Guide, has announced the best underwater photos this year with its 2020 winners. Despite global travel restrictions and the challenges brought by the Covid-19 pandemic, the 9th annual competition attracted an extremely high caliber of photos from oceans around the world. Underwater explorers took photos in their own backyards or select destinations open to travel and revisited their archives to bring us some eye-catching photography. This unique assortment of photos could not have been possible without the help of our generous sponsors who have all had to navigate a changing travel and dive industry. Many of these same sponsors helped the Ocean Art competition raise money earlier this year to donate to the WHO and CDC in their fight against Covid-19. These photos showcase the perseverance of underwater artistry amidst the adversity of the times.

Winning photos can be seen at the Underwater Photography Guide.

The Best of Show is a once-in-a-lifetime moment of an octopus taking a selfie with the help of the photographer and his curious family in the background. The photo was captured by photographer Gaetano Dario Gargiulo close to his home in the tide pools of Kamay Botany Bay National Park, New South Wales, Australia. Other extraordinary winners include astonishing scenes of animal behavior, images that bring hope for the next generation of sea creatures, displays of ingenious photographic technique, and conservation scenes that reflect on not just the need to conserve our planet, but our species as well. The judges evaluated thousands of entries from 80 countries before selecting the final set of images as Ocean Art winners.
Ocean Art 2020 judges included prestigious underwater photographers Tony Wu, Mark Strickland, and Marty Snyderman.

Ocean Art prizes are provided by some of the world’s top scuba diving resorts, liveaboard dive yachts, and underwater photo gear manufacturers. Grand prizes include a choice of 7 or 8 nights for two aboard the Coralia Liveaboard in Raja Ampat or Komodo, a 7 night liveaboard trip on the M.V. Bilikili in the Solomon Islands, a 7-night dive package with Villa Markisa, a 7 night dive package at Siladen Resort & Spa in Bunaken, a 12 night Passport to Paradise with Murex Dive Resorts and Lembeh Resort to three different Indonesian destinations, a 5-night dive vacation with AquaMarine Diving Bali & Ramayana Candidasa, a 7-night dive vacation at Atlantis Philippines Dive Resorts, and a variety of gift certificates from Bluewater Photo and Bluewater Travel.

Premium travel prizes are provided by Volivoli Beach Resort (Fiji), Crystal Blue Dive Resort (Philippines), and Solitude Liveaboards & Resorts (Philippines and Indonesia). Premium gear prizes are provided by Sea & Sea and Ikelite. 12 different categories ensure a competitive contest for all levels and disciplines of underwater photography.

The photographic ingenuity from competitors is getting better every year – making judging very difficult and demonstrating that the winning images are some of the best in the world. Bluewater Photo and Bluewater Travel owner and Underwater Photography Guide publisher, Scott Gietler commented, “The Ocean Art team was thrilled to see that so many photographers were able to get out, dive, and immerse themselves in photography this year. The Best of Show was especially impressive. My only concern is that the octopus should get its share of the prize, as it did assist in taking the shot!”

Complete list of winners:

Wide Angle

2nd Place: Gilles Auroux

3rd Place: Qing Lin
4th Place: Celia Kujala
Honorable Mention: Matt Curnock
Honorable Mention: Filip Staes

Macro

1st Place: Galice Hoarau
2nd Place: Sayaka Ichinoseki
3rd Place: Ludovic Galko-Rundgren
Honorable Mention: Andy Schmid
Honorable Mention: Erika Miura

Marine Life Behavior

1st Place: Steven Kovacs

2nd Place: Louise Nott
3rd Place: Salvatore Lanniello
4th Place: Mayumi Takeuchi-Ebbins
Honorable Mention: Adam Martin
Honorable Mention: Luke Gordon

Portrait

1st Place: Galice Hoarau

2nd Place: Jeff Molder
3rd Place: Igor Bogachenko
4th Place: Thomas Gaitley
Honorable Mention: Catherine Holmes

Coldwater

1st Place: Jon Anderson
2nd Place: Johan Sundelin
3rd Place: Matthew Sullivan
Honorable Mention: Jon Anderson
Honorable Mention: Celia Kujala

Nudibranch

1st Place: Wen Chou Wu

2nd Place: Luca De Pauli
3rd Place: Raffaele Livornese
Honorable Mention: Jon Anderson
Honorable Mention: Fred Turoff

Blackwater

1st Place: Steven Kovacs

2nd Place: Steven Kovacs
3rd Place: Galice Hoarau
Honorable Mention: Steven Kovacs
Honorable Mention: Lureen Ferretti

Underwater Conservation

1st Place: Christophe Chellapermal

2nd Place: Celia Kujala
3rd Place: Stephanie Doniger
4th Place Eduardo Acevedo
Honorable Mention: Rafael Fernanadez
Honorable Mention: Alex Lindbloom

Underwater Art

1st Place: Jenny Stock

2nd Place: Justin Lutsky
3rd Place: Andrey Savin
Honorable Mention: Michal Stros

Compact Wide Angle

1st Place: Enrico Somogyi

2nd Place: Joanna Chen
3rd Place: Andrea Michelutti
Honorable Mention: Na Mi
Honorable Mention: Alexandra Vautin

Compact Macro

1st Place: PT Hirschfield

2nd Place: Brian Vaccarella
3rd Place: PT Hirschfield
Honorable Mention: Daniela Menegon
Honorable Mention: Kathrin Landgraf-Kluge

Compact Behavior

1st Place: Chia Chi Chang

2nd Place: Jules Casey
3rd Place: Jules Casey
Honorable Mention: Stephanie Doniger
Honorable Mention: Michele Sbrilli

Tagged: news, ocean art 2020, results

Read More

Ikelite is shipping their 200DL housing for the Canon EOS R6 mirrorless camera. Compatible with the 200DL port system, it ships with a vacuum valve and a manual strobe trigger.

The 200DL Underwater Housing for Canon EOS R6 is shipping now priced at $1,695

From Ikelite’s website

200DL Underwater Housing for Canon EOS R6 Mirrorless Digital Camera

Product # 71766
$ 1,695.00

ABOUT THIS PRODUCT

A full featured and durable waterproof housing for Canon EOS R6 full-frame mirrorless digital cameras. Suitable for scuba, snorkel, surf, pool, and any application in or around the water.

This housing requires the addition of a compatible DL Lens Port for waterproof operation. Lens Port not included.

View the DL Port Chart for Canon RF Mount…

Canon EOS R6 Mirrorless Camera

The 2020 Canon EOS R6 is the very accomplished little brother of the hugely popular EOS R5 full frame mirrorless camera. It features the same 20 megapixel CMOS sensor found in the professional 1D X Mark III. The R6 is capable of capturing 4K 60p Raw video.

A Dual Pixel AF II system, great image stabilization, and burst shooting up to 20 fps make this a great choice for underwater action shooting. The 3.69 million dot OLED EVF (electronic viewfinder) is perfect for both framing and reviewing images.

The EOS R6 has a CIPA battery life rating of 360 shots per charge.

Lens Ports

This housing features our robust Dry Lock (DL) port system. “Dry Lock” refers to the placement of the o-ring on the outside of the port mount. This improves visibility and reduces the chances of water dropping onto your precious camera sensor. DL ports are the lightest on the market, yet robust and capable of standing up to rough surf. Attachment is quick and secure. A system of extensions can accommodate a huge variety of lenses with ease.

Most popular zoom lenses and select lens focus rings can be engaged using simple gearing that puts adjustment right at your fingertips. A large, soft-touch knob on the side of the housing makes fine tuned adjustments a breeze. Zoom and focus gears differ depending on which lens you are using. Zoom gears sold separately.

View the DL Port Chart for Canon RF Mount…

Vacuum System

The included vacuum valve allows you to pressurize the housing to check for leaks prior to putting your expensive equipment in the water. Use of the vacuum valve requires a compatible Vacuum Pump with Gauge # 47011, sold separately.

There is no greater assurance than being able to see your camera and o-ring seal through the back of the housing. Our signature open-groove design suspends the rear o-ring in a natural position that is easier to maintain and more reliable than forcing the o-ring into a channel. Once the housing is closed you can see the o-ring form a solid, waterproof seal.

TTL Strobe Exposure

This housings supports your choice of shooting manual strobes or adding TTL electronics depending on your application. The included manual hotshoe with Ikelite ICS-5 bulkhead supports manual strobe exposure with a wide variety of strobes including Ikelite, SEA&SEA, INON, and others.

Enjoy the fastest and most accurate strobe exposure on the market by adding the DL5 DS Link Canon TTL Converter and CT1 TTL Hotshoe Kit # 46075 and a compatible Ikelite DS strobe. The DS Link can be programmed to the camera’s specific TTL protocol and supports both first curtain and rear curtain sync up to the camera’s maximum flash sync speed. Exposure compensation can be used added or subtracted in the camera. A push button and indicator light on the side of the converter make it simple to switch back and forth between TTL and manual exposure underwater.

Reliable locking connectors between the hotshoe and bulkhead make it easy to install the CT1 TTL Hotshoe or carry back up parts when traveling to remote locations.

Ergonomics

Good ergonomics are critical when you need to concentrate on composition, focus, and proper exposure. Large, curved control levers put the most important controls right where you need them: shutter and autofocus (via the AF-L button). This combination allows you to shoot with or without back button focus, an advanced technique that is useful for tack sharp focus of super macro and fast moving subjects. Each lever can be extended using the optional Trigger Extension # 4077.95 for perfect spacing when using a right-hand handle.

The rotating controls are all operated intuitively via premium soft-touch knobs. An oversized, lobed knob puts the zoom/focus knob at your fingertips while your left hand stays on the handle. Stainless steel, direct-drive rotating controls are virtually fail-safe and user serviceable and adjustable in a pinch.

All rear camera buttons are accessible by smooth action, hard anodized aluminum push buttons for reliable performance and easy maintenance. These controls are clearly labeled by laser engraving on the back of the housing that never fades or falls off.

Set-Up

The camera mount is front-loading for easy installation and removal. A small mounting plate attaches to the bottom of the camera and secures in the front of the housing. The camera mounting plate does not need to be removed from the camera for surface use or when changing the battery or memory cards. The mounting plate features a 1/4-20 threaded mount on the bottom so that it can be attached to a tripod on the surface.

Wi-Fi

Use the camera’s built-in wi-fi feature to download photos to another device without removing the camera from the housing. The WiFi feature is only usable above water within close proximity to the connected device.

Viewfinders

The included Super-Eye Viewfinder provides an enhanced view of the camera’s optical viewfinder when viewed through a dive mask. The viewfinder removes quickly and easily for the attachment of an optional Straight Magnified Viewfinder (Type 2) # 6890.1 or 45° Magnified Viewfinder (Type 3) # 6891.3. The angle of a 45º viewfinder is more ergonomic when shooting underwater plus it provides a larger and brighter view than the standard Super-Eye.

M16 Accessory Port

The spare M16 threaded accessory port provides an attachment point for third party accessories including HDMI bulkheads.

Handling & Travel

The housing, tray, and handles have been optimized to reduce weight while maintaining strength and durability. The Right-Hand Quick Release Handle # 4077.02 (sold separately) can be added or removed depending on your needs. The precision machined aluminum base features 1/4-20 tripod mounting sockets and additional mounting locations for future accessories. The base and handle can be quickly removed when breaking down your system for travel.

A 1/4-20 threaded mounting point is located front and center on the housing above the lens port mount. This mount can be used to attach lightweight accessories like a focus light or GoPro camera.

If you’re shooting with two strobe or lighting arms, then a top handle can be added to carry to and from the dive site. Top handles are available in a Cable Grip # 4080.09 or Aluminum Top Handle # 4080.08. The rigid aluminum version provides additional mounting points for lighting and accessories.

Adding a dedicated focus light to your top mount or strobe arm is highly recommended for more accurate autofocus in low light settings.

Construction

Our new ABS-PC blend front is durable, provides improved contrast and visibility, keeps your camera running cooler in the sun, and is significantly lighter weight than aluminum alternatives.

Every housing is made in the USA, individually inspected for fit, and water pressure tested to 200 feet (60m).

Non-Ikelite Strobes

SEA&SEA, INON, and Retra strobes with an electrical connection can be triggered in manual exposure modes using an electrical sync cord. Strobes without an electrical sync cord connection cannot be attached to this system unless slaved off of a hard-wired strobe.

Ikelite Non-Digital Strobes

Older non-digital strobes featuring an ICS-5 electrical sync cord bulkhead can be used with this system in manual exposure modes.

Fiber Optic

Fiber optic only strobes are not compatible with this installation. An external strobe must be connected by electrical sync cord.

Remote Triggering

Strobes with remote slave capabilities may be triggered off of a flash attached to the housing by electrical sync cord. Ikelite DS strobes support remote triggering using the Optical Slave Converter # 4405 or the Water Wizard system (manufactured and sold by Aquatica).

Compatibility

This housing is only compatible with Canon EOS R6 cameras as shipped by the manufacturer. Unless otherwise noted, this housing does not accommodate the use of add-on grips, battery grips, eyepieces, LCD covers, or other accessories.

Differences in lens and control placement prevent other camera models from being used in or adapted to this housing. We are not aware of any other models which may be used in or adapted to this particular housing.

Specifications

• 200’ (60m) depth rating
• Compatible with DL system lens ports
• Controls are provided for all important camera controls;
  Controls are not provided for Depth of field preview button, Multi-function lock button, Multi-controller (can be pushed in for use as a user programmable button)
• 1/4-20 thread base mounts with 3.5” spacing
• Slightly positive buoyancy in fresh water
• Actual buoyancy varies depending on choice of lens and port
• 4.7 lb (2123 g) without tray and handle
• 5.4 lb (2434 g) with tray and handle
• 8.75 x 6.875 x 6.5” (220 x 175 x 165 mm)
• Vacuum valve included (pump sold separately)
• Included Ikelite ICS-5 bulkhead connector with manual hotshoe for reliable electrical triggering of underwater strobes; Optional TTL accessories provides automatic exposure with compatible Ikelite DS strobes
• ABS-PC construction is fundamentally corrosion-resistant
• Made in the USA; Individually inspected for fit and water pressure tested to depth
• 2 year limited warranty

In the Box

• Housing
• Rear O-ring # 0132.59 (installed)
• Front O-ring # 0132.45 (installed)
• Zoom Gear Retainer # 75900 (installed)
• Port Hole Cover # 0200.92 (installed)
• Waterproof Bulkhead Cap # 9104.7 (installed)
• Base with Left-Hand Quick Release Handle # 4077.67 (installed)
• Tool for Zoom Gear Retainer # 0945.06
• .050” Hex Key # 0945.11
• Silicone Lubricant 1cc Tube

Optional Accessories

Spare Rear O-Ring # 0132.59 Carry a back-up in case original seal becomes damaged.
Spare Front O-Ring # 0132.45 Carry a back-up in case original seal becomes damaged.
Vacuum Pump with Gauge # 47011 Pressurize the housing to check for leaks prior to entering the water.
Right-Hand Quick Release Handle # 4077.02 Makes a double tray for easier handling and a second attachment point for strobes or lights.
Trigger Extension # 4077.95 Recommended if using the Right-Hand Quick Release Handle. Brings shutter or AF-ON lever out to handle for more comfortable use (requires 2 to extend both controls).
DL5 DS Link Canon TTL Converter and CT1 TTL Hotshoe Kit # 46075 Fast, accurate, automatic TTL strobe exposure when used together with compatible Ikelite DS strobes.
45º Magnified Viewfinder (Type 3) # 6891.3 Brighter, larger, and more ergonomic positioning when shooting under water. Rotates for landscape or portrait shots.
Cable Top Handle Grip # 4080.09 The most convenient way to carry the system when shooting with two strobe arms.
Adding an external strobe or video light enhances your photos’ color and sharpness underwater. If you will be shooting below 45 ft (13m) or in an indoor pool, your photos will be predominantly blue-green without an artificial light source.

Read more about strobe options

Documentation

• Instruction Manual
• DL Port Chart for Canon RF Mount

---

Tagged: eos-r6, ikelite, news

Ikelite is shipping their 200DL housing for the Canon EOS R6 mirrorless camera. Compatible with the 200DL port system, it ships with a vacuum valve and a manual strobe trigger.

The 200DL Underwater Housing for Canon EOS R6 is shipping now priced at $1,695

From Ikelite’s website

200DL Underwater Housing for Canon EOS R6 Mirrorless Digital Camera

Product # 71766
$ 1,695.00

ABOUT THIS PRODUCT

A full featured and durable waterproof housing for Canon EOS R6 full-frame mirrorless digital cameras. Suitable for scuba, snorkel, surf, pool, and any application in or around the water.

This housing requires the addition of a compatible DL Lens Port for waterproof operation. Lens Port not included.

View the DL Port Chart for Canon RF Mount…

Canon EOS R6 Mirrorless Camera

The 2020 Canon EOS R6 is the very accomplished little brother of the hugely popular EOS R5 full frame mirrorless camera. It features the same 20 megapixel CMOS sensor found in the professional 1D X Mark III. The R6 is capable of capturing 4K 60p Raw video.

A Dual Pixel AF II system, great image stabilization, and burst shooting up to 20 fps make this a great choice for underwater action shooting. The 3.69 million dot OLED EVF (electronic viewfinder) is perfect for both framing and reviewing images.

The EOS R6 has a CIPA battery life rating of 360 shots per charge.

Lens Ports

This housing features our robust Dry Lock (DL) port system. “Dry Lock” refers to the placement of the o-ring on the outside of the port mount. This improves visibility and reduces the chances of water dropping onto your precious camera sensor. DL ports are the lightest on the market, yet robust and capable of standing up to rough surf. Attachment is quick and secure. A system of extensions can accommodate a huge variety of lenses with ease.

Most popular zoom lenses and select lens focus rings can be engaged using simple gearing that puts adjustment right at your fingertips. A large, soft-touch knob on the side of the housing makes fine tuned adjustments a breeze. Zoom and focus gears differ depending on which lens you are using. Zoom gears sold separately.

View the DL Port Chart for Canon RF Mount…

Vacuum System

The included vacuum valve allows you to pressurize the housing to check for leaks prior to putting your expensive equipment in the water. Use of the vacuum valve requires a compatible Vacuum Pump with Gauge # 47011, sold separately.

There is no greater assurance than being able to see your camera and o-ring seal through the back of the housing. Our signature open-groove design suspends the rear o-ring in a natural position that is easier to maintain and more reliable than forcing the o-ring into a channel. Once the housing is closed you can see the o-ring form a solid, waterproof seal.

TTL Strobe Exposure

This housings supports your choice of shooting manual strobes or adding TTL electronics depending on your application. The included manual hotshoe with Ikelite ICS-5 bulkhead supports manual strobe exposure with a wide variety of strobes including Ikelite, SEA&SEA, INON, and others.

Enjoy the fastest and most accurate strobe exposure on the market by adding the DL5 DS Link Canon TTL Converter and CT1 TTL Hotshoe Kit # 46075 and a compatible Ikelite DS strobe. The DS Link can be programmed to the camera’s specific TTL protocol and supports both first curtain and rear curtain sync up to the camera’s maximum flash sync speed. Exposure compensation can be used added or subtracted in the camera. A push button and indicator light on the side of the converter make it simple to switch back and forth between TTL and manual exposure underwater.

Reliable locking connectors between the hotshoe and bulkhead make it easy to install the CT1 TTL Hotshoe or carry back up parts when traveling to remote locations.

Ergonomics

Good ergonomics are critical when you need to concentrate on composition, focus, and proper exposure. Large, curved control levers put the most important controls right where you need them: shutter and autofocus (via the AF-L button). This combination allows you to shoot with or without back button focus, an advanced technique that is useful for tack sharp focus of super macro and fast moving subjects. Each lever can be extended using the optional Trigger Extension # 4077.95 for perfect spacing when using a right-hand handle.

The rotating controls are all operated intuitively via premium soft-touch knobs. An oversized, lobed knob puts the zoom/focus knob at your fingertips while your left hand stays on the handle. Stainless steel, direct-drive rotating controls are virtually fail-safe and user serviceable and adjustable in a pinch.

All rear camera buttons are accessible by smooth action, hard anodized aluminum push buttons for reliable performance and easy maintenance. These controls are clearly labeled by laser engraving on the back of the housing that never fades or falls off.

Set-Up

The camera mount is front-loading for easy installation and removal. A small mounting plate attaches to the bottom of the camera and secures in the front of the housing. The camera mounting plate does not need to be removed from the camera for surface use or when changing the battery or memory cards. The mounting plate features a 1/4-20 threaded mount on the bottom so that it can be attached to a tripod on the surface.

Wi-Fi

Use the camera’s built-in wi-fi feature to download photos to another device without removing the camera from the housing. The WiFi feature is only usable above water within close proximity to the connected device.

Viewfinders

The included Super-Eye Viewfinder provides an enhanced view of the camera’s optical viewfinder when viewed through a dive mask. The viewfinder removes quickly and easily for the attachment of an optional Straight Magnified Viewfinder (Type 2) # 6890.1 or 45° Magnified Viewfinder (Type 3) # 6891.3. The angle of a 45º viewfinder is more ergonomic when shooting underwater plus it provides a larger and brighter view than the standard Super-Eye.

M16 Accessory Port

The spare M16 threaded accessory port provides an attachment point for third party accessories including HDMI bulkheads.

Handling & Travel

The housing, tray, and handles have been optimized to reduce weight while maintaining strength and durability. The Right-Hand Quick Release Handle # 4077.02 (sold separately) can be added or removed depending on your needs. The precision machined aluminum base features 1/4-20 tripod mounting sockets and additional mounting locations for future accessories. The base and handle can be quickly removed when breaking down your system for travel.

A 1/4-20 threaded mounting point is located front and center on the housing above the lens port mount. This mount can be used to attach lightweight accessories like a focus light or GoPro camera.

If you’re shooting with two strobe or lighting arms, then a top handle can be added to carry to and from the dive site. Top handles are available in a Cable Grip # 4080.09 or Aluminum Top Handle # 4080.08. The rigid aluminum version provides additional mounting points for lighting and accessories.

Adding a dedicated focus light to your top mount or strobe arm is highly recommended for more accurate autofocus in low light settings.

Construction

Our new ABS-PC blend front is durable, provides improved contrast and visibility, keeps your camera running cooler in the sun, and is significantly lighter weight than aluminum alternatives.

Every housing is made in the USA, individually inspected for fit, and water pressure tested to 200 feet (60m).

Non-Ikelite Strobes

SEA&SEA, INON, and Retra strobes with an electrical connection can be triggered in manual exposure modes using an electrical sync cord. Strobes without an electrical sync cord connection cannot be attached to this system unless slaved off of a hard-wired strobe.

Ikelite Non-Digital Strobes

Older non-digital strobes featuring an ICS-5 electrical sync cord bulkhead can be used with this system in manual exposure modes.

Fiber Optic

Fiber optic only strobes are not compatible with this installation. An external strobe must be connected by electrical sync cord.

Remote Triggering

Strobes with remote slave capabilities may be triggered off of a flash attached to the housing by electrical sync cord. Ikelite DS strobes support remote triggering using the Optical Slave Converter # 4405 or the Water Wizard system (manufactured and sold by Aquatica).

Compatibility

This housing is only compatible with Canon EOS R6 cameras as shipped by the manufacturer. Unless otherwise noted, this housing does not accommodate the use of add-on grips, battery grips, eyepieces, LCD covers, or other accessories.

Differences in lens and control placement prevent other camera models from being used in or adapted to this housing. We are not aware of any other models which may be used in or adapted to this particular housing.

Specifications

• 200’ (60m) depth rating
• Compatible with DL system lens ports
• Controls are provided for all important camera controls;
  Controls are not provided for Depth of field preview button, Multi-function lock button, Multi-controller (can be pushed in for use as a user programmable button)
• 1/4-20 thread base mounts with 3.5” spacing
• Slightly positive buoyancy in fresh water
• Actual buoyancy varies depending on choice of lens and port
• 4.7 lb (2123 g) without tray and handle
• 5.4 lb (2434 g) with tray and handle
• 8.75 x 6.875 x 6.5” (220 x 175 x 165 mm)
• Vacuum valve included (pump sold separately)
• Included Ikelite ICS-5 bulkhead connector with manual hotshoe for reliable electrical triggering of underwater strobes; Optional TTL accessories provides automatic exposure with compatible Ikelite DS strobes
• ABS-PC construction is fundamentally corrosion-resistant
• Made in the USA; Individually inspected for fit and water pressure tested to depth
• 2 year limited warranty

In the Box

• Housing
• Rear O-ring # 0132.59 (installed)
• Front O-ring # 0132.45 (installed)
• Zoom Gear Retainer # 75900 (installed)
• Port Hole Cover # 0200.92 (installed)
• Waterproof Bulkhead Cap # 9104.7 (installed)
• Base with Left-Hand Quick Release Handle # 4077.67 (installed)
• Tool for Zoom Gear Retainer # 0945.06
• .050” Hex Key # 0945.11
• Silicone Lubricant 1cc Tube

Optional Accessories

Spare Rear O-Ring # 0132.59 Carry a back-up in case original seal becomes damaged.
Spare Front O-Ring # 0132.45 Carry a back-up in case original seal becomes damaged.
Vacuum Pump with Gauge # 47011 Pressurize the housing to check for leaks prior to entering the water.
Right-Hand Quick Release Handle # 4077.02 Makes a double tray for easier handling and a second attachment point for strobes or lights.
Trigger Extension # 4077.95 Recommended if using the Right-Hand Quick Release Handle. Brings shutter or AF-ON lever out to handle for more comfortable use (requires 2 to extend both controls).
DL5 DS Link Canon TTL Converter and CT1 TTL Hotshoe Kit # 46075 Fast, accurate, automatic TTL strobe exposure when used together with compatible Ikelite DS strobes.
45º Magnified Viewfinder (Type 3) # 6891.3 Brighter, larger, and more ergonomic positioning when shooting under water. Rotates for landscape or portrait shots.
Cable Top Handle Grip # 4080.09 The most convenient way to carry the system when shooting with two strobe arms.
Adding an external strobe or video light enhances your photos’ color and sharpness underwater. If you will be shooting below 45 ft (13m) or in an indoor pool, your photos will be predominantly blue-green without an artificial light source.

Read more about strobe options

Documentation

• Instruction Manual
• DL Port Chart for Canon RF Mount

---

Tagged: eos-r6, ikelite, news

Ikelite is shipping their 200DL housing for the Canon EOS R6 mirrorless camera. Compatible with the 200DL port system, it ships with a vacuum valve and a manual strobe trigger.

The 200DL Underwater Housing for Canon EOS R6 is shipping now priced at $1,695

From Ikelite’s website

200DL Underwater Housing for Canon EOS R6 Mirrorless Digital Camera

Product # 71766$ 1,695.00

ABOUT THIS PRODUCT

A full featured and durable waterproof housing for Canon EOS R6 full-frame mirrorless digital cameras. Suitable for scuba, snorkel, surf, pool, and any application in or around the water.

This housing requires the addition of a compatible DL Lens Port for waterproof operation. Lens Port not included.

View the DL Port Chart for Canon RF Mount…

Canon EOS R6 Mirrorless Camera

The 2020 Canon EOS R6 is the very accomplished little brother of the hugely popular EOS R5 full frame mirrorless camera. It features the same 20 megapixel CMOS sensor found in the professional 1D X Mark III. The R6 is capable of capturing 4K 60p Raw video.

A Dual Pixel AF II system, great image stabilization, and burst shooting up to 20 fps make this a great choice for underwater action shooting. The 3.69 million dot OLED EVF (electronic viewfinder) is perfect for both framing and reviewing images.

The EOS R6 has a CIPA battery life rating of 360 shots per charge.

Lens Ports

This housing features our robust Dry Lock (DL) port system. “Dry Lock” refers to the placement of the o-ring on the outside of the port mount. This improves visibility and reduces the chances of water dropping onto your precious camera sensor. DL ports are the lightest on the market, yet robust and capable of standing up to rough surf. Attachment is quick and secure. A system of extensions can accommodate a huge variety of lenses with ease.

Most popular zoom lenses and select lens focus rings can be engaged using simple gearing that puts adjustment right at your fingertips. A large, soft-touch knob on the side of the housing makes fine tuned adjustments a breeze. Zoom and focus gears differ depending on which lens you are using. Zoom gears sold separately.

View the DL Port Chart for Canon RF Mount…

Vacuum System

The included vacuum valve allows you to pressurize the housing to check for leaks prior to putting your expensive equipment in the water. Use of the vacuum valve requires a compatible Vacuum Pump with Gauge # 47011, sold separately.

There is no greater assurance than being able to see your camera and o-ring seal through the back of the housing. Our signature open-groove design suspends the rear o-ring in a natural position that is easier to maintain and more reliable than forcing the o-ring into a channel. Once the housing is closed you can see the o-ring form a solid, waterproof seal.

TTL Strobe Exposure

This housings supports your choice of shooting manual strobes or adding TTL electronics depending on your application. The included manual hotshoe with Ikelite ICS-5 bulkhead supports manual strobe exposure with a wide variety of strobes including Ikelite, SEA&SEA, INON, and others.

Enjoy the fastest and most accurate strobe exposure on the market by adding the DL5 DS Link Canon TTL Converter and CT1 TTL Hotshoe Kit # 46075 and a compatible Ikelite DS strobe. The DS Link can be programmed to the camera’s specific TTL protocol and supports both first curtain and rear curtain sync up to the camera’s maximum flash sync speed. Exposure compensation can be used added or subtracted in the camera. A push button and indicator light on the side of the converter make it simple to switch back and forth between TTL and manual exposure underwater.

Reliable locking connectors between the hotshoe and bulkhead make it easy to install the CT1 TTL Hotshoe or carry back up parts when traveling to remote locations.

Ergonomics

Good ergonomics are critical when you need to concentrate on composition, focus, and proper exposure. Large, curved control levers put the most important controls right where you need them: shutter and autofocus (via the AF-L button). This combination allows you to shoot with or without back button focus, an advanced technique that is useful for tack sharp focus of super macro and fast moving subjects. Each lever can be extended using the optional Trigger Extension # 4077.95 for perfect spacing when using a right-hand handle.

The rotating controls are all operated intuitively via premium soft-touch knobs. An oversized, lobed knob puts the zoom/focus knob at your fingertips while your left hand stays on the handle. Stainless steel, direct-drive rotating controls are virtually fail-safe and user serviceable and adjustable in a pinch.

All rear camera buttons are accessible by smooth action, hard anodized aluminum push buttons for reliable performance and easy maintenance. These controls are clearly labeled by laser engraving on the back of the housing that never fades or falls off.

Set-Up

The camera mount is front-loading for easy installation and removal. A small mounting plate attaches to the bottom of the camera and secures in the front of the housing. The camera mounting plate does not need to be removed from the camera for surface use or when changing the battery or memory cards. The mounting plate features a 1/4-20 threaded mount on the bottom so that it can be attached to a tripod on the surface.

Wi-Fi

Use the camera’s built-in wi-fi feature to download photos to another device without removing the camera from the housing. The WiFi feature is only usable above water within close proximity to the connected device.

Viewfinders

The included Super-Eye Viewfinder provides an enhanced view of the camera’s optical viewfinder when viewed through a dive mask. The viewfinder removes quickly and easily for the attachment of an optional Straight Magnified Viewfinder (Type 2) # 6890.1 or 45° Magnified Viewfinder (Type 3) # 6891.3. The angle of a 45º viewfinder is more ergonomic when shooting underwater plus it provides a larger and brighter view than the standard Super-Eye.

M16 Accessory Port

The spare M16 threaded accessory port provides an attachment point for third party accessories including HDMI bulkheads.

Handling & Travel

The housing, tray, and handles have been optimized to reduce weight while maintaining strength and durability. The Right-Hand Quick Release Handle # 4077.02 (sold separately) can be added or removed depending on your needs. The precision machined aluminum base features 1/4-20 tripod mounting sockets and additional mounting locations for future accessories. The base and handle can be quickly removed when breaking down your system for travel.

A 1/4-20 threaded mounting point is located front and center on the housing above the lens port mount. This mount can be used to attach lightweight accessories like a focus light or GoPro camera.

If you’re shooting with two strobe or lighting arms, then a top handle can be added to carry to and from the dive site. Top handles are available in a Cable Grip # 4080.09 or Aluminum Top Handle # 4080.08. The rigid aluminum version provides additional mounting points for lighting and accessories.

Adding a dedicated focus light to your top mount or strobe arm is highly recommended for more accurate autofocus in low light settings.

Construction

Our new ABS-PC blend front is durable, provides improved contrast and visibility, keeps your camera running cooler in the sun, and is significantly lighter weight than aluminum alternatives.

Every housing is made in the USA, individually inspected for fit, and water pressure tested to 200 feet (60m).

Non-Ikelite Strobes

SEA&SEA, INON, and Retra strobes with an electrical connection can be triggered in manual exposure modes using an electrical sync cord. Strobes without an electrical sync cord connection cannot be attached to this system unless slaved off of a hard-wired strobe.

Ikelite Non-Digital Strobes

Older non-digital strobes featuring an ICS-5 electrical sync cord bulkhead can be used with this system in manual exposure modes.

Fiber Optic

Fiber optic only strobes are not compatible with this installation. An external strobe must be connected by electrical sync cord.

Remote Triggering

Strobes with remote slave capabilities may be triggered off of a flash attached to the housing by electrical sync cord. Ikelite DS strobes support remote triggering using the Optical Slave Converter # 4405 or the Water Wizard system (manufactured and sold by Aquatica).

Compatibility

This housing is only compatible with Canon EOS R6 cameras as shipped by the manufacturer. Unless otherwise noted, this housing does not accommodate the use of add-on grips, battery grips, eyepieces, LCD covers, or other accessories.

Differences in lens and control placement prevent other camera models from being used in or adapted to this housing. We are not aware of any other models which may be used in or adapted to this particular housing.

Specifications

200’ (60m) depth rating
Compatible with DL system lens ports
Controls are provided for all important camera controls;
Controls are not provided for Depth of field preview button, Multi-function lock button, Multi-controller (can be pushed in for use as a user programmable button)
1/4-20 thread base mounts with 3.5” spacing
Slightly positive buoyancy in fresh water
Actual buoyancy varies depending on choice of lens and port
4.7 lb (2123 g) without tray and handle
5.4 lb (2434 g) with tray and handle
8.75 x 6.875 x 6.5” (220 x 175 x 165 mm)
Vacuum valve included (pump sold separately)
Included Ikelite ICS-5 bulkhead connector with manual hotshoe for reliable electrical triggering of underwater strobes; Optional TTL accessories provides automatic exposure with compatible Ikelite DS strobes
ABS-PC construction is fundamentally corrosion-resistant
Made in the USA; Individually inspected for fit and water pressure tested to depth
2 year limited warranty
In the Box

Housing
Rear O-ring # 0132.59 (installed)
Front O-ring # 0132.45 (installed)
Zoom Gear Retainer # 75900 (installed)
Port Hole Cover # 0200.92 (installed)
Waterproof Bulkhead Cap # 9104.7 (installed)
Base with Left-Hand Quick Release Handle # 4077.67 (installed)
Tool for Zoom Gear Retainer # 0945.06
.050” Hex Key # 0945.11
Silicone Lubricant 1cc Tube
Optional Accessories

Spare Rear O-Ring # 0132.59 Carry a back-up in case original seal becomes damaged.Spare Front O-Ring # 0132.45 Carry a back-up in case original seal becomes damaged.Vacuum Pump with Gauge # 47011 Pressurize the housing to check for leaks prior to entering the water.Right-Hand Quick Release Handle # 4077.02 Makes a double tray for easier handling and a second attachment point for strobes or lights.
Trigger Extension # 4077.95 Recommended if using the Right-Hand Quick Release Handle. Brings shutter or AF-ON lever out to handle for more comfortable use (requires 2 to extend both controls).DL5 DS Link Canon TTL Converter and CT1 TTL Hotshoe Kit # 46075 Fast, accurate, automatic TTL strobe exposure when used together with compatible Ikelite DS strobes.45º Magnified Viewfinder (Type 3) # 6891.3 Brighter, larger, and more ergonomic positioning when shooting under water. Rotates for landscape or portrait shots.
Cable Top Handle Grip # 4080.09 The most convenient way to carry the system when shooting with two strobe arms.
Adding an external strobe or video light enhances your photos’ color and sharpness underwater. If you will be shooting below 45 ft (13m) or in an indoor pool, your photos will be predominantly blue-green without an artificial light source.

Read more about strobe options

Documentation

Instruction Manual
DL Port Chart for Canon RF Mount
Tagged: eos-r6, ikelite, news